Archive for September, 2010

Kailin GowJoin Kailin Gow, author of the young adult paranormal novel, Daughters of Dracula (The Stoker Sisters #1) (The EDGE), as she virtually tours the blogosphere in October on her fourth virtual book tour with Pump Up Your Book!

Kailin Gow is the author of over 40 books. She has traveled all over the world, conducting research, and collecting stories. Some of the more interesting places she’s been to are: Dracula’s Castle in Transylvania where she was presented with a sketch of Dracula, The Stanley Hotel in Colorado where she saw something quite odd, the lost city of Pompeii where both her cameras were drained of battery, St. Petersburg where she held an hour-long conversation with a Russian soldier who didn’t speak English and she didn’t speak Russian, and the orphanages of Thailand where she distributed toys, books, and hugs to hundreds of disabled orphans.

As a teenager, she was a voracious reader, who always had one or two books with her at all times. She was on her newspaper staff, participated in drama productions, was on the yearbook staff, played sports, competed in kung fu, played violin, and yes, was even on the pep squad at one point.

Her books include the bestselling Gifted Girls Series, The Frost Series, The Phantom Diaries Series, The Stoker Sisters Series, PULSE Vampire Series, Queen B Superheroine, The Wordwick Games Series, The Alchemists Academy, Harold the Kung Fu Kid, and Shy Girls Social Club. Her books have been recommended by PBS Kids, the PTA, US Mental Health Association, homeschooling organizations, and mother-daughter book clubs.
She is also a filmmaker and radio host. Her short short of The Stoker Sisters recently screened at the prestigious 14th Annual LA Shorts Film Festival, officially accredited by the Academy of Motion Pictures Arts and Sciences. She has written for and produced television series with Emmy-award-winning producers and directors. As a radio host, she was recognized and featured by The Los Angeles Times as a young Asian American Journalist.

She holds a Master’s Degree Communications Management from USC’s Annenberg School of Communication, and Bachelors Degrees in Drama and Social Ecology from UC Irvine. Kailin loves reading, writing, watching old and new movies, filming, playing video games, playing board games, traveling, and location scouting for settings in her books and films. In her past life, she was a news journalist, talk show host, tour director, and corporate executive. She is a mother, a mentor for young women, and the founder of the social group for teen and young adult girls called Shy Girls Social Club at http://www.shygirlssocialclub.com where girls can develop positive friendships and skills in the creative field. Members of Shy Girls Social Club can get a chance to win prizes, scholarships, and internships.

You can find her here:
Facebook: http://www.facebook.com/pages/YA-Books-from-Kailin-Gow/104549539596369
Twitter: http://twitter.com/kailingow
Book club and Group Discussion Questions for All YA titles here: http://www.theedgebooks.com
Website and Blog: http://www.kailingow.wordpress.com

The Stoker SistersThe Stoker Sisters centers on two sisters born during the time of Jane Austen who are set to marry for advancement, but escaped their fates by becoming vampires. Now vampires in the 21st century, hunted by a sect of rogue hunters, the sisters live in a small beach town of California where they meet Keegan Knowles, a mysterious boy. For hundreds of years they’ve shared clothes, books, and their home, but will they share the same boy or is it there going to be war?

If you’d like to follow along with Kailin as she tours the blogosphere in October, visit her official tour page at Pump Up Your Book. Lots of fun in store as you travel the blogosphere to find out more about Kailin Gow’s newest book.

Join us for the Kailin Gow’s Daughters of DraculaVirtual Book Tour ‘10!

Pump Up Your Book is an innovative public relations agency specializing in virtual book tours. You can visit our website at www.pumpupyourbook.com.

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Story Behind Book
The Story Behind the Book is Literarily Speaking’s newest feature. Here we find out either the inspiration behind authors’ books or how they got published. Today’s guest is Shobhan Bantwal, author of the women’s fiction novel, The Unexpected Son (Kensington).

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The Unexpected SonWhat If?

By Shobhan Bantwal – author of THE UNEXPECTED SON

The theme for my latest book, THE UNEXPECTED SON, was something that came out of my recalling my college days. Back in the 1960s-70s, the culture in the small town in India, where I was born and raised, was very conservative and clannish. To this day, it still is.

After having attended a strict Catholic school for girls and with equally strict Hindu-Brahmin parents watching over my sisters and me, and having no brothers, our first real social contact with boys was only in college. Getting to know boys was almost like discovering a new species of humans.

Although I became friends with various boys, they were just friendships, groups of girls and boys having a cup of tea together or maybe go to a movie. My parents would not let me date and I resented it. Knowing that American and European cultures allowed girls and boys in their teens and young adulthood were given plenty of independence to date, I felt boxed in. Nonetheless I had no choice but to conform to my parents’ rules.

Notwithstanding the taboos, some of my contemporaries in college still managed to sneak around. There were some college affairs and romances, some breakups and broken hearts, and a few that ended up in happily-ever-after. This last category was the best, the most heartwarming kind, reaffirming my faith in the romance novels that I had stealthily started to read with great enthusiasm.

I always wondered if there could have been a case or two where a girl could have become pregnant. What would that be like? What would have happened to someone who got into the ultimate in “trouble” in an old-fashioned town where she would surely face ruin—not just for herself, but her entire family and community? And what if she decided not to abort the child, which most families would naturally force her to do? How would that affect the rest of her life?

This and a lot of other “what ifs” are what I had in mind when I wrote THE UNEXPECTED SON. An innocent teenager who falls in love with the college rogue becomes pregnant and promptly gets dumped by him. But she is stubborn and decides to birth the child. Some 30 years later, her naiveté and misguided sense of righteousness come back, with the potential to destroy her life, a life she has carefully built after overcoming tragedy and heartache.

To read an excerpt of THE UNEXPECTED SON, and to see my book trailers, contests, recipes, photos, book clubs and contact information, go to my website: www.shobhanbantwal.com

Shobhan BantwalShobhan Bantwal calls her writing “Bollywood in a Book,” romantic, colorful, action-packed tales, rich with elements of Indian culture. Born and raised in India and now an American citizen, Shobhan had an arranged marriage and writes about that topic and other controversial social topics unique to India. THE UNEXPECTED SON is her fourth book.

Shobhan’s articles and short stories have appeared in a variety of publications including The Writer magazine, Romantic Times, India Abroad, Little India, U.S. 1, India Currents, and New Woman. Her short stories have won honors and awards in fiction contests sponsored by Writer’s Digest, New York Stories and New Woman magazines. To read her stories, articles, favorite recipes, and more, go to her website: www.shobhanbantwal.com

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We have a special guest today!  Shobhan Bantwal, author of The Unexpected Son (Kensington), is here to talk about living with muses.  Visit Shobhan on the web at www.shobhanbantwal.com.

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Shobhan BantwalLiving with Muses

By Shobhan Bantwal

After having written four novels and two more in the works, some twenty plus short stories, and countless non-fiction articles and blog for multiple publications, I have come to realize one thing: my muses are here to stay.

Not everyone can relate to the odd living arrangement of an author, especially a fiction author. The muses become part of the household and show up for breakfast, lunch and dinner. They land in bed with the author and her spouse, placing an emotional wedge between two perfectly content people in a happy marriage. The muses reside in the writer’s conscious and subconscious mind, night and day, at times making the author reclusive.

The Unexpected SonMany a fiction author is inspired by her muse at the oddest of times. One fellow romance author who carries a notepad and pen at all times says her best ideas come to her while sitting in church on Sundays, when her pastor is sermonizing.

For some reason my muses are most active and doing a dance when I’m driving on the highway to work each morning. There is oodles of traffic and I do pay attention to it, but somewhere in a remote corner of my brain there are ideas for scenes, plots, characters, and storylines drifting in a nebulous pattern.

Usually the muses are a welcome diversion during a boring daily commute, but at times they can be as annoying as a pesky mosquito you can hear but can’t see. Why? Because the ideas they are whispering in your ear could be implausible. If you wrote a book or a scene like the one they’re recommending, it would be the end of your literary career.

Nonetheless, whichever way an author looks at it, the muses are a vital part of her life. Ignoring one’s muses does not make them go away, so one might as well learn to live with them, pay attention to their advice when it is prudent to do so, and at other times just ignore them and keep moving. But my life certainly would have been very ordinary if it weren’t for my whimsical muses. They keep me on my toes.

Information on my books, excerpts, videos, contests, book clubs, recipes, photos, and contact can be found at www.shobhanbantwal.com

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Five Things You Should Know
5 Things You Should Know is one of Literarily Speaking’s newest features. Here we find out five things about books, writing, publishing, the sky’s the limit… right out of the author’s mouth. Today’s guest is Shobhan Bantwal, author of the women’s fiction novel, The Unexpected Son.

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Shobhan BantwalFive Things You Should Know About Book Promotion

by Shobhan Bantwal
1. The author has to actively promote her books at all times to complement what the publisher does. The most effective promotion campaigns are the ones where publisher and author work in partnership.

2. Never put your eggs in one basket. In other words, one type of promotion is not enough. Multiple tools are necessary, such as virtual tours, guest blogs, press releases, speaker engagements, print and Internet ads, and anything else you can think of.

3. Plan on how much money and time you can realistically spend on promotion. For most authors, both are at a premium, so wise use of dollars and time are essential to a good promotion campaign.

4. Answer your fan mail. Readers like to hear from their favorite authors. If you can afford to send your responses yourself, all the better. Extremely busy authors often hire assistants to answer their fan mail, but the personal touch goes a long way.

5. Always be humble about your books. There is a fine line between promoting and bragging.

You can visit Shobhan’s website at www.shobhanbantwal.com.

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Story Behind Book
The Story Behind the Book is Literarily Speaking’s newest feature. Here we find out either the inspiration behind authors’ books or how they got published. Today’s guest is Kathryn Shay, author of the mainstream fiction novel, The Perfect Family (Boldstrokes Books).

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The Perfect FamilyFirst, let me say thank you to Literally Speaking for the opportunity to post again on your website.

So, where did I get the idea for The Perfect Family?

I think I’ve been preparing to write this story for a long time. When I first started out with Harlequin, I wrote a book about a suicidal teenager who needed the help of adults to get through a very tough time in her life. I’ve written books about getting girls out of gangs, about adults resolving potentially violent situations in schools by working with the kids, and also one novel about adults who were troubled teens in their youth and now help kids like the ones they used to be.

The theme of adults helping kids permeates my work. I think it’s because I know from personal experience how much a troubled youth can benefit from an adult’s interest. From a pretty dysfunctional childhood myself, I had two teachers in my life who showed me I was worth something, I was smart, I was deserving of their attention and others. They both helped me to become the person I am.

I’ve also seen the other side of it where, as a high school teacher, I was able to help many kids by giving them support, guidance and caring outside of the classroom. I’ve dealt with suicidal students, students who were raped, students who wanted to run away because of problems at home. As a matter of fact, one of those students, one I taught decades ago, recently read about The Perfect Family on a Facebook page and contacted me to say how much I affected her life. She’s coming over today for coffee.

And then, of course, there was the personal experience of having my son come out gay. To refresh your memory from the last interview, The Perfect Family tracks the Davidson family, who believes they have the perfect life until their seventeen year old son comes out to them. The storyline shows how even a loving, supportive family can struggle with their own beliefs. It also illustrates the reactions of extended family, neighbors and friends, the church and the school the boys attend.

When my son Ben came out, everything hit us at once. Having grown up in a conservative small town, there had been prejudices ingrained in me. How was I to deal with them? How do I tell neighbors, friends, family? Will the school discriminate? There are horror stories about this. And, most of all, is he safe? Eight years later, I’m happy to report that most of these issues are resolved, except for the last one, which I don’t any parent ever gets over.

After all of the above, I decided it was time to write a mainstream fiction book about this topic. Truthfully, I’d wished I had a book like this to help me understand what I would be dealing with. Also, I wanted to portray the opposite of something I think is way overdone in coming out literature: a child coming out gay and his parents abandoning him. Instead, I wanted to show not all parents reject gay kids, but even the most loving ones have many difficult things to deal with.

Can I also mention here that my son and I have a gift for my readers. Ben is a singer/songwriter and made a CD in high school about “loving a boy” and other adolescent issues. We’re offering it free at the publisher’s website when you order a book from them (http://www.boldstrokesbooks.com/products.php?product=Perfect-Family%252C-The-%25252d-by-Kathryn-Shay) and it will also be offered on my website, www.kathrnyshay.com while copies last.

And last, many people ask about my next book. I’m working on new projects now, but I’d also like to say here that if readers are interested in my backlist, I’m making plans to put nine previously published in print books up on Kindle and Smashwords by the time The Perfect Family is released.

Kathryn ShayKathryn Shay is a lifelong writer. At fifteen, she penned her first ‘romance,’ a short story about a female newspaper reporter in New York City and her fight to make a name for herself in a world of male journalists – and with one hardheaded editor in particular. Looking back, Kathryn says she should have known then that writing was in her future. But as so often happens, fate sent her detouring down another path.

Fully intending to pursue her dream of big city lights and success in the literary world, Kathryn took every creative writing class available at the small private women’s college she attended in upstate New York. Instead, other dreams took precedence. She met and subsequently married a wonderful guy who’d attended a neighboring school, then completed her practice teaching, a requirement for the education degree she never intended to use. But says Kathryn, “I fell in love with teaching the first day I was up in front of a class, and knew I was meant to do that.”

Kathryn went on to build a successful career in the New York state school system, thoroughly enjoying her work with adolescents. But by the early 1990s, she’d again made room in her life for writing. It was then that she submitted her first manuscript to publishers and agents. Despite enduring two years of rejections, she persevered. And on a snowy December afternoon in 1994, Kathryn Shay sold her first book to Harlequin Superromance.

Since that first sale, Kathryn has written twenty-five books for Harlequin, nine mainstream contemporary romances for the Berkley Publishing Group, and two online novellas, which Berkley then published in traditional print format. Her first mainstream fiction book will be out from Bold Strokes Books in September, 2010

Kathryn has become known for her powerful characterizations – readers say they feel they know the people in her books – and her heart-wrenching, emotional writing (her favorite comments are that fans cried while reading her books or stayed up late to finish them). In testament to her skill, the author has won five RT BookClub Magazine Reviewers Choice Awards, three Holt Medallions, two Desert Quill Awards, the Golden Leaf Award, and several online accolades.

Even in light of her writing success, that initial love of teaching never wavered for Kathryn. She finished out her teaching career in 2004, retiring from the same school where her career began. These days, she lives in upstate New York with her husband and two children. “My life is very full,” she reports, “but very happy. I consider myself fortunate to have been able to pursue and achieve my dreams.”

Kathryn’s latest book is The Perfect Family.

You can visit Kathryn’s website at www.kathrynshay.com.

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LS-DayintheLife
A Day in the Life is Literarily Speaking’s newest feature. Here we get a glimpse into our favorite author’s day-to-day life! Today’s guest is Patrick Brown, author of the economic history book, Industrial Pioneers: Scranton, Pennsylvania and the Transformation of America, 1840-1902.

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Patrick Brown 2A Day in the Life of Patrick Brown

by Patrick Brown

While I wrote the thesis that would eventually become Industrial Pioneers as a college student at Georgetown University, I am currently a social studies teacher at Greenville-Weston High School in Greenville, Mississippi through the Teach for America program. I live in the Mississippi Delta (think catfish, cotton and the blues), an area of the country in which the legacy of the region’s past is palpable.

This year, I teach government, economics, psychology, sociology, world history, and United States history—but only three classes at a time. My high school students often have serious trouble with reading comprehension, sometimes struggle to act appropriately in the classroom, and generally come into my class with much less prior knowledge than their peers in other parts of the country. Classes are 98 minutes long, some of my classes have over 30 students, and I teach in a trailer with fickle air conditioning. I love my job.

On a typical day, I arrive at school by 8am—school starts at 8:30. Today my government class is studying taxes and the Federal debt. My students become indignant when they learn that the US government has taken out $14 trillion in their names; one student asks, “Well, why can’t we raise taxes and spend less?” I jokingly inform him that he has no future in politics, and that we will spend the next week trying to answer that question.

Industrial PioneersMy psychology class is studying measures of intelligence, but first I must escort them to lunch. Because fights are common, teachers walk with their classes to lunch, sit with them, and walk back with them. I pay $3.00 for the Federal lunch that almost all of my students get for free (a hamburger, corn, an apple, and 1% milk) and chat with my students as we eat. Upon returning to class, I inform my students that unless they are pregnant, they cannot go to the bathroom. Three young women successively take the hall pass.

We talk about bell curves, IQ tests, ACT scores, and cultural bias. My students are shocked to learn that private colleges in other states love applicants from the Mississippi Delta, and sometimes even favor them over other applicants. The class discussion turns to the college application process, and I explain how students should study for the ACT (most students at my school see the test for the first time on test day) and apply to every school in which they are interested. The concept of “safety schools” and “reach schools” is foreign.

My final class of the day is world history—all sophomores. I check that my male students have their shirts tucked in before they enter class, review the previous day’s lesson, remind my class how Cornell notes work, and begin to list inventors on the board. My students complain that my trailer is hot, and I agree—the thermostat shows 85 degrees—but I remind my students that they do live in Mississippi, and we do need to have class. I ask who invented the airplane, and an especially enthusiastic student’s hand shoots up. Before I can call on him, he blurts out, “Pontius Pilate!” I remind him that while a pilot flies an airplane, the Wright brothers were the first to successfully build one. By the end of the day, however, I notice that he knows his inventors cold.

The bell rings to end the school day at 4:05, but I stay in trailer G2 until 5:00. I have students staying after school to serve detention, to make up tests, and to seek advice on college. When I finally leave, I head for Tabbs Barbeque, where teachers get can get anything on the menu for $5.00 (I get a barbeque sandwich, sweet potato fries, and a soda). Tabbs has become a Wednesday ritual among the Teach for America teachers at my school, and the eight of us who show up enjoy an excellent meal while we discuss our school days.

I drive home, grade papers in my back yard until the mosquitoes chase me inside, and work on some blog posts to promote Industrial Pioneers. My roommates (also teachers) and I hang out for a few hours, and I only get around to reviewing the next day’s lesson later that night. I finally get to sleep around midnight.

The next day I take a deep breath, and do it all over again.

You can visit Patrick’s website at http://www.industrialpioneers.com.

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LS-DayintheLife
A Day in the Life is Literarily Speaking’s newest feature. Here we get a glimpse into the day-to-day lives of authors, industry professionals, editors, agents and publishers. Today’s guest is Kathryn Shay, author of the women’s mainstream fiction novel, The Perfect Family.

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Kathryn ShayA Day in the Life of Author Kathryn Shay

by Kathryn Shay

Thankfully, my days vary a great deal but I’ll try to give you a flavor of them.

I usually awaken between seven and eight in the morning—no alarm clocks for me—grab some coffee and watch a little bit of Morning Joe. Then I go to my office to check email and answer anything pressing. Sometimes I read posts if I if don’t have a packed day. After that, I get my laptop and start writing.

I don’t have a set number of words or pages that I have to complete per day. I know my deadlines and work accordingly. Sometimes I write a scene (rarely any less) but I’ve been known to rough out a whole chapter in one sitting. If it’s a scene, I polish right away. If it’s longer, I polish in consecutive days instead of writing new material.

Almost every day, I have some activity planned. I take yoga class twice a week with my best friend, walk my dog after I’ve done some writing, or swim in the pool in the summer. I also have volunteer work I do weekly. I serve guests at soup kitchen for a few hours on Mondays and answer the hotline at a battered women’s shelter on Tuesday afternoons. Sometimes I go out to lunch on Fridays with my friends.

The Perfect FamilyWhen I get back from my midday event, I polish the work I’ve done that morning, answer email, or work on promotion for my next book. Dinner is at seven with my own personal hero almost every night. I belong to a church and we sometimes have night meetings and I have a book club once a month. (I read at night, usually, or weekends.)

On free evenings, I watch some TV, again with my husband. I love The Closer, Rookie Blue, Dark Blue and Grey’s Anatomy. I go to bed between ten and eleven o’clock.

Weekends do not follow this routine. I spend the time with my family and reading. Both my children are adults, but live nearby, so I usually see them or do something with them every weekend. I also read more on these days.

I suppose this sound lack a crazy schedule, but believe it or not, to me it’s much simpler than when I was teaching full time and writing full time. I got used to having a lot on my plate, writing in short time periods and writing a significant amount because I really didn’t have any choice. I think that’s why I have so many things going on daily. I couldn’t imagine staying home all day and just writing.

This balance between writing and real life has worked for me as I’ve published 37 books in fifteen years—including my latest, THE PERFECT FAMILY, out now from Bold Strokes Books.

Thanks so much for letting me share my day with you.

Read more about Kathryn’s books at her website at www.kathrynshay.com.

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We have a special guest today!  Allie Larkin, author of Stay (Dutton), is here to talk about why she loves and writes women’s fiction (her specialty!).  Visit Allie on the web at www.allielarkinwrites.com.

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Allie LarkinWhy I Love and Write Women’s Fiction Novels

By Allie Larkin

I’ve always been a reader.  I love the escapism of books.  I love the intimacy of reading about characters.  The books that stick with me the most are the ones with characters who feel like old friends.

I remember reading Anne of Green Gables and feeling like Anne Shirley was a “kindred spirit.”  I knew what it was like to find awe in a friendship, or to wish I had a different name, or a different hair color or a different life.  I knew what it was like to dream about a dress, and how it felt to be the girl who always seemed to say the wrong thing at the wrong time.  I knew, like I think everyone knows, what it’s like to long to be really and truly accepted.  Because I had those same emotions, I identified with a character who was supposed to have existed a hundred years before me. To me, there’s magic in the fact that fiction can make us feel a part of something we’d have no experience with otherwise.

StayI don’t know what it’s like to live in London, or work for a news station like Bridget Jones.   I’ve never accidentally worn a bunny suit to a non-costume party.  But I’ve felt like a square peg in a round hole.  I know what it’s like to have the numbers on the scale dictate the way I feel about myself.  I remember what it’s like to lust after someone who probably wouldn’t have been good for me anyway, and before I met my husband, I had times when I felt like a “Singleton” in a world full of “Smug Marrieds.”

I’ve never found a baby in my car, like Taylor Greer in The Bean Trees, and I’ve never even been to Kentucky, but I do know what it’s like when dreams get derailed, and I know the magic of finding family in unexpected places.

We spend a lot of time talking about what makes us different – political leanings, which team we root for, where we grew up, the way we talk, how we dress – but when we focus on what makes us the same first, we get to see the differences through a new lens.  We get to empathize.  We get a new perspective.  That’s what I love about women’s fiction – the way it deals in universal emotions and the way those universals suck us in and take us along for the ride.

I hope you don’t ever accidentally buy a German Shepherd from Slovakia off the internet while drinking grape Kool-Aid and vodka and watching a Rin Tin Tin marathon, but if you read Stay, I hope you identify with Van.  Because haven’t we all struggled with loss, fought heartbreak with ice cream, and wanted a friend who would always be on our team?  And really, don’t we all sing loud to cheesy music on the radio sometimes?

Be sure to check out Allie Larkin’s book trailer for Stay, her latest women’s fiction from Dutton Books!

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Terminal CareTerminal Care
by Christopher Stookey

Page One

The death wasn’t the unusual thing.  The unusual thing was we tried to stop it.  That first dying heart came on a Thursday night, a little after midnight on May 5th.  I remember the date because it was Cinco de Mayo, Mexican Independence Day.  There’d been celebrations all day long in San Francisco, including in The Presidio where I was working that night.

I was one of two physicians on duty in the ER at Deaconess Hospital, doing the overnight, the 6P to 6A shift.  The early part of the shift had been very busy.  When I arrived at six o’clock, the waiting room was bursting with patients: drunken revelers with lacerations and sprained ankles, tourists with sunburns, picnickers vomiting from food poisoning, ten members of a mariachi band with heat stroke and dehydration.  We worked furiously, moving from one stretcher to the next, seeing the most critical patients first and moving on.

Then, around ten o’clock, the flow of new patients stopped—abruptly, like water from a faucet turned from on to off.  That’s the way things are in my business, feast or famine.  By 11:00 PM, there were only four patients in the waiting room.  By 11:45, I finished sewing up my last laceration: a three-inch gash on the forehead of an intoxicated coed from San Francisco State.

And, then, there was no one.  The emergency department had gone from chaos to serenity.

With nothing to do, Hansen, the other physician on duty, went to catch a nap in the staff lounge.  I washed up and went over to join Bill (the night nurse) at the nursing station.  We sat with our feet up, drinking black coffee from Styrofoam cups, looking across the empty row of stretcher beds.  Bill launched nostalgically into a pornographic tale about a buxom nurse he’d known while serving as a medic during the Gulf War.  He’d just reached the climax (so to speak) of his story when, suddenly, the calm of the night was interrupted by an announcement over the intercom:

“Code Blue, East Annex, back station!  Code Blue, East Annex, back station! ”

Christopher StookeyThank you for visiting us today, Christopher. Can you tell us what your book is about?

Terminal Care is a medical mystery thriller.  It’s about a thirty-seven-year-old emergency physician, Phil Pescoe, who notices an unexpectedly large number of patients are dying on the Alzheimer’s ward at the hospital where he works.  As it happens, a team of neurologists have just started a drug trial on the ward.  Half the patients there are getting an experimental drug called “NAF.”  NAF is a highly promising, new treatment for Alzheimer’s disease made by Swan Pharmaceuticals, a large drug company based in Switzerland.

Pescoe is worried the deaths on the ward might be related to the new drug study.  However, authorities and representatives from Swan assure him the deaths have nothing to do with the trial.  The deaths are simply the usual, random deaths you would expect on a ward populated by elderly patients with dementia.

One other person at the hospital, however, shares Pescoe’s concerns about NAF.  Her name is Clara Wong, a brilliant—and stunningly beautiful—internist.

Pescoe and Wong team up to investigate the deaths on the Alzheimer’s ward.  Their inquiries lead them unwittingly into the cutthroat world of big-business pharmaceuticals.  They discover the deaths on the ward are, indeed, related to the drug trial, and an elaborate scheme is underway to cover this up.  With the death count mounting, Pescoe and Wong race against time to save the patients on the ward and to stop the drug manufacturer from unleashing a dangerous new drug on the general populace.

The first page is perhaps one of the most important pages in the whole book.  It’s what draws the reader into the story.  Why did you choose to begin your book this way?

Really, I try to grab the reader’s attention, not just in the first page, but in the first two sentences of the book.

“The death wasn’t the unusual thing.  The unusual thing was we tried to stop it.”

It’s my hope the reader’s curiosity will immediately be peaked by this opening.  What do these first two sentences mean?  Why would it be “unusual” for anyone to try to stop death?  Who is dying?  Under what circumstances would death be “the usual thing?”  The answer to all these questions will come later in the book.  The opening intends, simply, to start the reader wondering.

These first two sentences hint, strongly, at what’s to come.  The book is very much about death, death that is occurring on the Alzheimer’s ward.  The third sentence of the book also hints at things to come.  “That first dying heart …” alludes to the fact that patients on the ward are dying of heart attacks.  As will be revealed later, patients with Alzheimer’s disease do not commonly die of heart attacks.  For now, however, all I wanted to do was plant the seeds of curiosity: deaths, unusual circumstances, heart attacks.  What’s going on here?

The first paragraph also takes care of one bit of practical business.  It establishes the date of the opening of action as May 5th (Cinco de Mayo).  It will turn out that dates are very important in this book.  The dates when various patients die will, ultimately, give Pescoe and Wong strong clues as to what’s really happening on the Alzheimer’s ward.  I chose to use Cinco de Mayo, an easily remembered date, as a way to anchor the time frame for the rest of the book.

The rest of the page backs away from the what’s-to-come feature of the first paragraph.  The bulk of the page simply describes a typical work shift for Pescoe in the ER.  This material is meant to introduce Pescoe and his world to the reader.  Pescoe is the narrator of the book and one of the book’s two main characters.  Character is an important feature of the novel, and I felt the sooner the reader got to know Pescoe the better.

Finally, the last two sentences of the page put the reader back into the main action of the book.  “Code Blue, East Annex, back station!” Someone is “coding”—hospital language for “dying”—at a place called the East Annex.  Once again, the reader is faced with questions which, I hope, will spur him or her to read on: Where is the East Annex, and why is someone dying there?

In the course of writing your book, how many times would you say that first page changed and for what reasons?

Honestly, I lost track of how many times I changed the first page—or the first paragraph, anyway.  At least ten times, for sure.  I once read some good advice about starting a book or a short story. The advice was this: once you’ve finished writing, immediately throw away the first page and start with what’s left over.  At first, this seems like radical advice.  All that hard work on the first page, then you just throw it away.  But, I’ve tried this several times, and, as painful as it is, I find I almost always have a better beginning when I do this.  It’s almost like magic.  I did this with the opening of Terminal Care.  I blindly deleted the first one hundred words, throwing out material that seemed important and essential.  Yet, suddenly, the opening was, magically, more immediate and compelling.

Try it.  You’ll like it.

Was there ever a time after the book went to print you wished you had changed something on the first page?

Sometimes I wonder if I should have done a second round of throw-out-the-first-page, as described just above.  As it stands, the first page ends with the following:

“[T]he calm of the night was interrupted by an announcement over the intercom: ‘Code Blue, East Annex, back station!  Code Blue, East Annex, back station!’”

I wonder if it might have been better to just have started right there (“[T]he calm of the night…”).  This is where the action really starts.  What comes before is mainly background information that could be supplied just as well later.  Why not start the book right at the moment the action starts?  This way the reader jumps right into the action at the very first sentence of the book.  This might have been a better way to go.

What advice can you give to aspiring authors to stress how important the first page is?

First pages are particularly important for new authors.  Stephan King and John Grisham don’t have to worry so much about a captivating, scintillating first page.  Their large, loyal readership will press on through the book no matter how good or bad the opening page might be.

However, it’s different for the unknown author.  That first page may well determine whether or not a casual reader—or a book publisher—will want to put the book (or manuscript) down or keep going.  It’s a matter of first impressions, like the first impressions we make at an interview or at a party.  Judgments made upon first impressions are sometimes neither fair nor accurate, but they are nonetheless important, especially for an unknown author trying to break into the business.

Put your very best face forward on the first page.  Do your very best writing (but don’t overwrite), and try to include something in those first few paragraphs that will hook the reader and make the reader say: “Wow, I want to keep going with this.”

You can visit his website at www.silverleafbooks.com.

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Five Things You Should Know
5 Things You Should Know is one of Literarily Speaking’s newest features. Here we find out five things about books, writing, publishing, the sky’s the limit… right out of the author’s mouth. Today’s guest is Dean DeLuke, author of the murder mystery novel, Shedrow.

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Dean DeLuke 4Five Things You Should Know About Book Promotion
by Dean DeLuke

1. It won’t be done for you. Whether you are self-published or have a contract with a Simon and Schuster imprint, you can’t expect that your promotion will be done for you. It takes time and often takes personal cash expenditure as well. Sure, if you’re James Patterson, you may be assured a virtually unlimited marketing budget. For the rest of us debut authors, figure out in advance what you can afford, and devise a detailed marketing plan around that budget. Even established authors are electing to spend some of their own money on outside marketing firms these days.

2. It is enormously time consuming. For writers with secondary or primary “day jobs,” the task can become daunting. So develop a budget for time spent as well as for cash expense. Writing guest posts, interviews, social networking, book signings—it all takes time. Lest you find your professional and personal life in shambles, decide how much time you can realistically spend, and stick to that budget the same as you would your financial budget. Even for the full-time writer with no competing job, there’s always that next book that should be on its way to completion.
Shedrow
3. Continued Promotion can give a book a second wind. Rebecca Wells’ Divine Secrets of the Ya Ya Sisterhood was not a huge seller its first year out. But the author committed a full year to touring, giving very entertaining presentations to ever-increasing audiences. We all know the result: book sales took off and Ya Ya Sisterhood became a national phenomenon.
4. Devise a wish list of your ten top media placements. Be realistic, but include a couple stretch goals as well. Keep a file of all newspaper articles or reviews, radio or TV appearances, and have your publicist present those as part of your package as you reach higher up the media ladder (or do it yourself if you are acting on your own behalf). Start locally and build to a more regional exposure with successive media placements.
5. Carefully read at least one good reference text on book publicity. Read it like you would a text book and take notes for use in devising your own publicity campaign. My personal favorite is Publicize Your Book, by Jacqueline Deval.
This all takes time and effort, and as writers, we would much rather be spending the time writing. But the sad fact is that there are a lot of excellent books that never sell because they never had the marketing necessary to give them a fair chance. And conversely, we can all list some rather mediocre stories that rise to stardom because of the right marketing mix.

You can visit Dean’s website at www.shedrow1.com.

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tootyourhornEvery now and then, I’ll have an author ask me what they should write about when asked to write guest posts or what emphasis they should concentrate on when answering questions in interviews or just what they should do to create the most impact on their book buying public without becoming overbearing, pompous or downright horn-tooting obnoxious.

The first thing I tell them is get out of the mindset that you’ll be getting on peoples’ nerves with all this horn blowing and get on with the matter at hand. You are out to sell your book. Without you tooting or someone else you pay to toot for you, you might as well kiss your book sales goodbye.

Good publicity relies on these things:

  1. Perseverance
  2. Hard work
  3. Dedication

I’m sure that you know this and I’m sure you’ve got all three of those qualities going on for you, but good publicity also requires this:

  1. Knowing what common sense rules to follow when promoting your book
  2. Realizing that researching your subject in off before, during and after it’s published leads to successful promotions later
  3. Networking, schmoozing and generally getting your fans to adore you

Knowing what common sense rules to follow when promoting your book takes practice and experience. Unless you are out there noticing how other authors are promoting, you probably haven’t a clue. Are those emails coming from a certain author, publisher or publicist who has added your email to their email lists getting on your nerves by their promotional email blasts? Number One rule is never sign up anyone to your email list without their permission. I know no one is going to heed my advice but when this happens to me, I’m quick to delete and hit spam. However, if it is someone with whom you have connected in the past, they’re open bait and if they wish to unsubscribe, delete, hit spam, that’s on them but the odds are in your favor they’ll stick with you.

Researching your subject after the book has been written sounds a bit confusing, doesn’t it? Let me explain. Joe has written a book on fly fishing while Mary has written a romance novel. Both Joe and Mary have elected to promote on their own. Joe goes about the normal promotional procedures like putting up a website and/or blog and wishing for the best, but Mary decides she’s going to put her book subject in Google Alerts to find out what others are talking about relating to her book. Mary also loves to blog so she has elected to visit blogs that concentrate on her genre. Mary also has decided to pick out certain topics, locals, etc., within her book and researched them to find other like-minded people out there blogging about the same subjects in her book. Joe feels all alone in his self-promotional journey while Mary has made lots of friends, which has resulted in lots of sales.

Networking, schmoozing and generally getting your fans to adore you rounds out my third point which ties into researching your subject. Once you have found the many people out there who absolutely loves your work and loves to hear as much as they can about your book and you, treasure them like gold nuggets. These are your fans. These are the people who follow you like shadows on a moonlit night. These are the people you need to nurture. These are the very people that you must pay close attention to and never let them feel you’re just another name on another book. They are your book’s lifeline.

When you can find that happy medium between what your book buyers want to know about you and what you should know about them, book promotion gets a little bit easier.

© Dorothy Thompson All Rights Reserved

Dorothy Thompson is CEO/Founder of Pump Up Your Book, an innovative public relations agency specializing in online book promotion. Visit us at www.pumpupyourbook and let us take you to the virtual level!

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LS-DayintheLife
A Day in the Life is Literarily Speaking’s newest feature. Here we get a glimpse into our favorite author’s day-to-day life! Today’s guest is Joshua Graham, author of the suspense thriller, Beyond Justice.

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Joshua GrahamA Day in the Life of Joshua Graham

by Joshua Graham

After the kids have gone to school, the writing day begins with reading and listening.  I being with reading from the Bible (the book of Proverbs, one for each day of the month) and then a portion of the Old New Testaments.

Next, I spend time meditating on what I’ve read.  It’s here that I often receive timely insight.  During these moments of prayer, much is revealed to me about my life, the wisdom of the Almighty, as well as ideas for my writing.

Throughout the day, between marketing my work and studying my craft, my writing time is focused on the book or story with the most compelling deadline.  I’ve got so many works in the bull pen I want to start writing, but I have to keep my time organized or none of them will get completed.

Beyond JusticeIn a typical work day, I’ll get anywhere from 1,500-4,000 words (give or take 1000) written.  More words and less sleep, as a deadline approaches.  In  addition to the actual prose, I also write proposals, synopsises and query letters.

Getting carried away in research is always a temptation because it’s so enjoyable.  It’s like going back to school and learning something for an entirely different purpose.  This is the kind of study I really enjoy (I must love learning if I stayed in college for 12 years for three degrees!) Nevertheless, the discipline lies in doing just the right amount of research, not so much that it detracts from the actual writing.  After all, that’s what it’s for, right?  The writing.  For historical fiction, especially, this can be a huge time sink.

In any case, I press forward each day with the hope that I am writing the next New York Times Bestseller!

You can visit his website at www.joshua-graham.com.

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cello

Leonard Rose (1918 – 1984) the great American cellist, was considered one of the most important teachers and musicians of the twentieth century.

Author Steven Honigberg, who studied at The Juilliard School from 1979 to 1984 in Leonard Rose’s final class, examines the multifaceted American artist and the classical music context dominating Rose’s twentieth century.

This eagerly awaited biography portrays a complex individual during a period of tremendous individualism. Honigberg explores his sympathetic nature, his unyielding devotion to the cello, and, inevitably, his failings. Throughout, the reader sees Rose among the countless musical figures he affected as well as those who affected him.

This is the exciting premise of Steven Honigberg’s new book, Leonard Rose: America’s Golden Age and Its First Cellist.  We had a chance to interview Steven about his book.  Enjoy!

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Steven HonigbergThank you for this interview, Steven.  Can we begin by having you tell us what your new book, Leonard Rose: America’s Golden Age and Its First Cellist, is all about?

Steven:  Sure.  Leonard Rose’s exquisite artistry as a soloist, chamber musician, and orchestral player touched the lives of thousands of musicians and music lovers—yet none so profoundly as the roughly two hundred and fifty individuals entitled to call the great cellist, “my teacher.” I am among those so privileged. In a musical household, my first encounter with Leonard Rose came by way of the family phonograph and LP collection. I repeatedly listened to recordings Rose made after leaving his position as the New York Philharmonic’s principal cellist and bursting onto the solo scene. I recall peering into the jacket photo’s focused, deep-set, dark eyes that looked straight at me with the gaze of a tireless performer who appeared direct, sensitive, and passionate. In adolescence, I didn’t comprehend the emotions and thoughts the man’s sober expression conveyed. But his playing tugged at my heart. Its soulful beauty enthralled me. The tone was large and robust; his technique was impeccable. As a young cellist, an inexplicable desire to play for and to follow this man who so naturally produced this beautiful sound consumed me. This book examines the multifaceted American cellist and the classical music context that dominated Rose’s twentieth century. Professionally, the era during which he achieved greatness and the direction he chose to pursue could not have been musically richer. While Leonard Rose is a more than worthy solo biographical subject, he felt that the story of his inordinate contact and collaboration with his era’s most renowned musicians was especially valuable for posterity. So my aim in this volume was to showcase Rose among the countless musical figures he affected and those who affected him.

Leonard RoseInteresting book, Steven.  I understand you met Mr. Rose before he died.  Can you tell us about that meeting?

Steven: I was 16 years old, visiting my friend in Michigan AND hearing my idol, Leonard Rose, with the Lansing Symphony performing Dvorak’s magnificent cello concerto. I was terribly excited.  I had only heard and seen him on record covers, and I was in awe.  His music-making directly spoke to me.  At home in Chicago, I had worn out several records of his, trying to fashion my style like his: long bows, lovely vibrato, both of which produced scores of luscious colors.  His walk on stage was confident.  I was breathless for a moment immediately struck by how handsome he looked as he adjusted the endpin of his unique 17th-century Amati cello on the raised platform in front of the large audience.  His trail blazing beautiful round, smooth sound and accurate technique struck me.  Little did I know that he had just 5 years to live and that I was hearing him at the tail end of his superb career.

What was it about the man that intrigued you enough to write a book about him?

Steven: He was my teacher and inspiration AND he was so very famous.  When I was growing up, the most celebrated piano trio on stage and in the recording studio was the Istomin-Stern-Rose Trio.  Their recordings and performances were legendary.  Listening to their recordings as a young cellist meant a great deal to me.  Somehow they made me understand what music was all about – the excitement, the beauty, and the depth.  When the last surviving member, Eugene Istomin passed away, I felt the need to write about the trio, in particular Leonard Rose.  It felt like some sort of rush that couldn’t be stopped.  It had been over 20 years since Mr. Rose passed away when I dipped my toes in the water.  This book took six years to write.

In an interview recently, you mentioned that Leonard Rose was a tortured soul.  Would you care to elaborate?

Steven: Leonard Rose was the son of Jewish immigrants from Russia who came to this country with no money.  As a child anti-Semites bullied him.  Naively Rose married young, all the while struggling to make a living then becoming a troubled parent.  With prolonged absences, he wasn’t much of a husband to his first wife either as they had many disagreements over the course of their lives.  The cause of this dysfunctional behavior was his drive, somewhat neurotic in scope that propelled him to the highest plane of his profession.  Everyone respected and admired Leonard Rose yet; he felt his accomplishments were never good enough.  He needed more concerts, better reviews, added fame, and better students than every other living cellist.  He is known to have lashed out at those whom he mentored who took over those performance dates that were once reserved for him.

What effect did his death have on you and the rest of the music community?

Steven: My goodness, I was devastated.  Less than a year before his death he had recommended that I take a special audition for Mstislav Rostropovich’s National Symphony Orchestra in Washington, DC where I met success.  Then he got sick with leukemia and died 8 months later.  I never spoke to him again after my final lesson in April 1984.  When he died I felt lost.  I needed some guidance from my teacher.  Luckily my mentor became Rostropovich who as Rose told me when I got into the orchestra was “a good colleague.”  Rose was so correct!

You even had the help of Mr. Rose’s children when you were putting this book together.  What were they like?  Were they musically inclined, also?

Steven: Arthur and Barbara Rose were of enormous help to me when I began.  Not only did Barbara arrange for me to receive a copy of the memoir, she was thrilled that I was taking on this project. She talked with me and emailed me several times a week for months pouring out her heart, which I tried capturing in the book.  Arthur, who lives in the Washington DC area, allowed me the use of some of the photographs you see in the book and gave me several important interviews.  Then it all stopped.  Both signed off – somewhat angrily I must tell you.  Arthur didn’t want me to write this book.  One must understand the life of a soloist.  Leonard Rose was basically absent as a parent and husband from 1951 onward when he traveled up to six months a year in order to make a living.  After his first wife died in 1964, he immediately married a woman almost 20 years his junior who did not possess the warmth of Rose’s first wife which, among other issues, made the kids very angry with their father.  Happily, I recently talked with Barbara and accepted her apology.  She also thought the book was “her father” and ordered 10 books to send to her friends.  Now that’s a compliment!  I still have not heard from Arthur.

Would you consider your book to be a great reference book for those wanting to know more about Leonard Rose?

Steven: Absolutely. My 8 appendices deal with the orchestra repertoire he performed and who conducted these works; the famous soloists with whom he collaborated – dates and repertoire; major orchestras in this country with whom he soloed – repertoire, conductor and dates; the music library he left for future generations; his complete discography – dates of recordings, conductors and critical reviews; Stratford music festival and performances with Glenn Gould; summer festivals with Roy Harris in 1948 and in 1949.  In chapter 14 – Rose’s Career Ignites – I chronicle a decade of concerts with repertoire and reviews from papers all over the country.

Finally, I like to ask authors this question…what is your passion?  What is it that you’re more passionate about than anything else?

Steven: My passion has always been the cello.  I love to practice and perfect the repertoire, whether it’s performing in orchestra, chamber music or as soloist.  It is a great feeling to be able to express my emotions, what is inside me, on stage with my beautiful cello.  There is no other feeling like it.

Thanks for coming, Steven! Do you have any final words?

Steven: I hope that readers learn about and admire what made Leonard Rose such a great artist.  Sure there are artists today who perform flawlessly without nerves, who seem to do it easily, effortlessly – but, is their music-making relevant?  Without internal struggle, music can sound too easy, perfunctory.  Not so with the perfectionist Leonard Rose who struggled throughout his life to get to the top only to find himself unhappy up there.  If you want to read this book I suggest finding it at Beckhamhouse.com.  And if you want to read more about me, please check out stevenhonigberg.com  Thank you!

You can visit his author page at http://leonardrose.beckhamhouse.com/.

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Beyond Justice 3

THE DESCENT INTO HELL IS NOT ALWAYS VERTICAL…

Sam Hudson, a reputable San Diego attorney, learns this when the authorities wrongfully convict him of the brutal rape and murder of his wife and daughter, and sends him to death row. There he awaits execution by lethal injection.

If he survives that long.

In prison, Sam fights for his life while his attorney works frantically on his appeal. It is then that he embraces the faith of his departed wife and begins to manifest supernatural abilities. Abilities which help him save lives– his own, those of his unlikely allies–and uncover the true killer’s identity, unlocking the door to his exoneration.

Now a free man, Sam’s newfound faith confronts him with the most insurmountable challenge yet. A challenge beyond vengeance, beyond rage, beyond anything Sam believes himself capable of: to forgive the very man who murdered his family, according to his faith. But this endeavor reveals darker secrets than either Sam or the killer could ever have imagined. Secrets that hurtle them into a fateful collision course.

BEYOND JUSTICE, a tale of loss, redemption, and the power of faith.

This is the wonderful premise of Joshua Graham’s new suspense thriller, Beyond Justice (Dawn Treader Press).  We had a chance to interview Joshua about his new book.  Enjoy!

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Joshua GrahamThank you for this interview, Joshua. Can we begin by having you tell us what your new book, Beyond Justice, is all about?

Joshua: Great to be here, thanks for the opportunity. Beyond Justice is a legal thriller with supernatural elements. But at its heart, it is a parable much like the book of Job. This book is about a man’s journey through loss, redemption and forgiveness. How does one deal with the worst nightmare coming to life: being wrongfully convicted of the murder of his wife and daughter?

What an interesting premise. A guy is wrongfully accused of rape and murder and is sent to death row. However, through his faith, he discovered he has supernatural powers. I’d love to here about these powers – what do they involve? And does this help him get out of jail?

Joshua: I don’t want to give away too much about it, but the protagonist, Sam Hudson starts off disdainful of any religion but out of respect for his departed wife’s faith, allows her close friends from her church to help Sam get through the aftermath of her death. He still rejects religion all the way until he goes to prison. But he begins to question all he thought he believed (or didn’t believe) while in prison. He starts to witness things that simply cannot be a coincidence, as much as he would like them to be. Then, much to his bewilderment, he begins to manifest the supernatural abilities–a clairvoyant gift known as the gift of prophecy, or word of knowledge, or word of wisdom. They allow him to know things humanly impossible to know regarding the future, the past, and present. These powers help him survive the brutalities of prison and play a big part in solving the mystery of the book. But what really sets him free from prison (both physical and spiritual) is the truth.

Beyond JusticeDid your own faith have anything to do with the writing of this book?

Joshua: Definitely. Much of my own belief system is infused into this book. I’m not a preachy person in real life, and I’m glad that people have not found my book preachy at all.

The inspiration behind your story really had an interesting beginning based on a sermon on forgiveness with the subject of Dennis Rader, the BTK serial killer and how he fooled everyone in his life, even his pastor whose church he actually attended. In your opinion, do you believe God forgives even people who do such heinous acts? Also, if you can answer this, how can a person be evil and good at the same time?

Joshua:I believe nothing is impossible for God. I might find it hard to comprehend how He can forgive some evil people, but it would be presumptuous of me to limit Him and say he couldn’t forgive anyone. Can’t just isn’t a word that can be associated with God. And I don’t know if anyone can be evil AND good at the same time, but we have all seen bad people do good things, and good people do bad things. I’m just glad it’s not my job to judge people. That’s something best left for The Almighty.

In your opinion, what is the key ingredient for writing a suspense thriller that will keep readers turning page after page and not want to put it down?

Joshua: Keeping the reader wondering what will happen next, and making them really care.

Finally, I like to ask authors this question…what is your passion? What is it that you’re more passionate about than anything else?

Joshua:I am passionate about telling entertaining and meaningful stories that inspire and help people see life in a way they might not otherwise have considered.

Thanks for coming,Joshua! Do you have any final words?

Joshua: I just want to thank the many people who made this book possible. There are too many to mention here, but I have to thank Dean Wesley Smith, Kristine Rusch, the entire Oregon Writer’s Network, my dear friends and church family, and of course, my beautiful wife and children. They all played an integral part in my becoming a writer, and have shaped a lot of who I am–which in turn shapes what I write.

You can visit Joshua on the web at www.joshua-graham.com.

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scrantonpa

During the nineteenth century, Scranton was the face of innovation, immigration, industrialization, and a rising America. Scranton was “the electric city” when electricity was the most exciting invention in the world, and a hub of technology and innovation—between 1840 and 1902, the city of Scranton changed from a lazy backwoods community to a modern industrial society with 100,000 residents. During this time, Scranton’s citizens desperately tried to adapt their thinking to keep up with the overwhelming changes around them, and in the process forged the world views that would define the twentieth century. As globalization, technology and immigration transform the United States today, this book revisits how the people the forefront of the industrial revolution moved from chaos to a new order, and how they found meaning within a rapidly changing world.

Periods of total societal transformation often provide the best material for historians. The way that Scranton’s residents reimagined their value within society in response to the changes around them did not evolve in step with technological and economic progress—rather, those living through these changes slowly and painfully adapted extant modes of thinking in light of their new life circumstances. This book weaves a cohesive narrative that explains how Scranton—and America—went from the personal, egalitarian society of the early days of the republic to the rigidly institutionalized society that endures today.

This book’s investigation of the history of Scranton allows the reader to witness the development of the distinct and interrelated ideologies that defined industrial America.

This is the wonderful premise of Patrick Brown’s new book, Industrial Pioneers: Scranton, Pennsylvania and the Transformation of America, 1840-1902 (Tribute Books).  We had a chance to interview Patrick about his new book.  Enjoy!

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Patrick Brown 2Thank you for this interview, Patrick. Can we begin by having you tell us what your new book, Industrial Pioneers: Scranton, Pennsylvania and the Transformation of America, 1840-1902, is all about?

Patrick: The book is built on the idea that often, the way that people view themselves and the world around them cannot keep up with how quickly their lives are changing. As the United States industrialized during the nineteenth century, the people responsible for the country’s transformation had trouble getting used to the new world they were forging.

Why did you choose this particular location and time period?

Patrick: Most people don’t know it, but Scranton was the Silicon Valley of the nineteenth century—the coal, iron, steel, and steam technology that drove America’s economy were produced there. In just 60 years, the city went from a backwoods community of 100 to an industrialized metropolis with 100,000 residents. The city’s residents invented new ways of thinking about the world to cope with the unprecedented changes gripping the city, and the story of how they did it is fascinating.

What was it like growing up in Scranton as a boy?

Patrick: I was born in Scranton, but moved away as an infant. I joke that “all roads lead to Scranton,” because my connection with the city leads to constant reminders that the world can be very small. Scrantonians are everywhere.

Industrial PioneersIf you had to pick out the most interesting part of the book, what would that be?

Patrick: My favorite chapter to write was the chapter which examines the difference between two remarkably similar men—Thomas Dickson and Terence Powderly. Both were born in Carbondale, moved to Scranton, loved poetry, had a gift for interacting with people, and held two simultaneous positions of authority. Despite these similarities, Dickson became a businessman and advocate for the capitalist class, while Powderly became a labor organizer. The story of how these men could become so different is extremely interesting.

What’s next for you, Patrick? Are you going to stick with history books or dive into fiction?

Patrick: I don’t currently have any plans to write another book, but time will tell…

Finally, I like to ask authors this question…what is your passion? What is it that you’re more passionate about than anything else?

Patrick: Right now, I teach high school social studies in the Mississippi Delta. More than anything else, I am passionate about helping students at my school prepare for college.

Thanks for coming,Patrick! Do you have any final words?

Patrick: Just remember, “all roads lead to Scranton.”

You can visit Patrick’s website at http://www.industrialpioneers.com.

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Christopher Stookey 3Christopher Stookey hanging ten

Phil Pescoe, the 37-year-old emergency physician at Deaconess Hospital in San Francisco, becomes alarmed by a dramatic increase in the number of deaths on the East Annex (the Alzheimer’s Ward). The deaths coincide with the initiation of a new drug study on the annex where a team of neurologists have been administering “NAF”—an experimental and highly promising treatment for Alzheimer’s disease—to half of the patients on the ward.

Mysteriously, the hospital pushes forward with the study even though six patients have died since the start of the trial. Pescoe teams up with Clara Wong—a brilliant internist with a troubled past—to investigate the situation. Their inquiries lead them unwittingly into the cutthroat world of big-business pharmaceuticals, where they are threatened to be swept up and lost before they have the opportunity to discover the truth behind an elaborate cover-up.

With the death count mounting, Pescoe and Wong race against time to save the patients on the ward and to stop the drug manufacturer from unleashing a dangerous new drug on the general populace.

This is the exciting premise of Christopher Stookey’s new medical mystery, Terminal Care (Silver Leaf Books).

We interviewed Christopher to find out more about his new book.  Enjoy!

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Christopher StookeyThank you for this interview, Christopher.  Can we begin by having you tell us what your new book, Terminal Care, is all about?

Christopher:  It’s a medical mystery thriller set in San Francisco.  The book is narrated by Phil Pescoe, a thirty-seven-year-old emergency physician.  Things aren’t going well for Phil.  He’s recently divorced.  He’s had some disciplinary problems at work.  He’s in debt from medical school loans.  He’s lonely.

Then, one night, Phil gets unwittingly caught up in a drug study at the hospital where he works.  He’s called out to try to resuscitate a patient who is dying on the Alzheimer’s ward.  He fails in his efforts, and the patient expires.  He later learns a team of doctors are testing a new drug called “NAF” on the ward.  NAF, he discovers, is a highly promising treatment for Alzheimer’s disease that’s manufactured by the giant drug company, Swan Pharmaceuticals.  The drug study is being given great priority at the hospital.

A few weeks pass, and Phil is called out to resuscitate another patient on the ward.  Again, the patient dies.  Pescoe begins to wonder if the deaths on the ward might be related to the drug study.  However, his concerns about the NAF study become overshadowed by a new problem.  Phil is called before the “quality assurance” committee at his hospital because there are concerns he didn’t follow the proper protocols in trying to resuscitate the patients on the ward.  Some of the members of the committee believe the patients who died might have lived had Pescoe followed the proper protocols.

Phil is now at a low point in his life.  He’s alone, in debt, in trouble at work.

Then along comes Clara Wong, the other main character in the book.  Clara is an internist at the hospital.  She’s quite brilliant and also, it must be mentioned, stunningly beautiful.  What’s more, she happens to be a member of the quality assurance committee that’s just taken Phil to task.  However, unlike the other members of the committee, Clara believes the deaths on the Alzheimer’s ward had nothing to do with Phil’s resuscitation efforts.  She believes the deaths have more to do with the new drug, NAF, they’re giving to the patients.  She believes NAF might be killing people.  With the arrival of Clara, Phil Pescoe’s sinking luck is about to make a dramatic turnaround.

That’s the background.  The rest of the book involves Pescoe and Wong teaming up to try to find out the truth about what’s happening on the Alzheimer’s ward.  Their investigations take them on a midnight trip to the hospital morgue, on a visit to the research labs at the local medical school, and on a late-night raid on the Swan offices in San Francisco.  Along the way there’s the mystery of a missing heart, further deaths, a sting operation on the ward, and a high-speed car chase through the dense city fog.

Also along the way, Phil and Clara become romantically involved.  Although the “miracle treatment” for Alzheimer’s remains in question, at least one ailment will achieve a definitive cure: Pescoe’s loneliness.  The novel, you see, is a romance as well as a mystery.

Terminal CareThe inspiration to write this book came from a fascination with the business ethics of the pharmaceutical industry.  Would you like to tell us about your monthly ‘drug luncheons’?

Christopher:  During my medical residency in the 1990s, the hospital where I worked put on, like most hospitals, a monthly “drug luncheon.”  A drug luncheon is something akin to a fair where drug companies operate booths pitching their various wares, in this case, drugs.  The drug companies, themselves, pay for the event.  I remember how my fellow residents would get excited on drug luncheon day.  There would be free food, flashy slide-show presentations, and free gifts.  All the doctors, residents, and medical students at the hospital were invited to attend.

We would walk into the large conference room where the luncheon was held, and we would immediately be assaulted by the smell of simmering casseroles and by blue-suited drug salesmen, the so-called “drug reps.”  We would pile our plates with free food, then the drug reps would invite us to visit their booths where we were promised a variety of gifts.  The gifts would range to include free drug samples, free stethoscopes, and free trips to tropical places.  Nearly every drug rep offered you a complimentary pen with the company logo on it.  There were also free penlights, free centimeter rulers, free tee-shirts, and free coffee mugs—all with the company logo, of course.

All we had to do in exchange for the free food and gifts was listen to a four- or five-minute sales pitch by this or that drug rep regarding his company’s newest and greatest wonder drug just brought to market.  In addition, there were lectures and videos promoting featured drugs.

I always came away from these luncheons feeling a little “unclean.”  Had we all just been pawns in a big brain-washing scheme, a scheme to get us to prescribe the drugs pitched at the luncheon?  My fellow residents all answered this question with a resounding, “No!”  They all said their prescribing habits were not in any way influenced by these luncheons.  They were just there for the free food and gifts.

But, I wondered: if no one’s drug-prescribing habits were influenced by the free food and gifts, then why were the drug companies spending so much money to put these luncheons on in the first place?  Was it simply because they liked us?  I suspected the truth was the marketing departments at the drug companies had thoroughly researched the answer to the question, and the answer was a resounding, “Yes! Drug luncheons do influence prescribing behavior.”

Yet, if the luncheons influenced prescribing, was this ethical?  Shouldn’t doctors be prescribing medications based what’s best for their patients—rather than on a free lunch and a fountain pen?

As you researched into pharmaceutical ethics, you became concerned about questionable practices of the pharmaceutical industry.  Can you mention what you uncovered in your research?

Christopher: I found out there are a lot of people, including a lot of physicians, who feel the same way I do about pharmaceutical ethics.  Take, for example, Dr. Marcia Angell, who happened to be the editor-in-chief of the prestigious New England Journal of Medicine and who wrote a book called The Truth About Drug Companies.

The book is a searing indictment of drug companies.  It makes mention of the drug luncheons I talked about, but it goes far beyond that.  There’s the fact that drug companies now sponsor a large number of the clinical drug trials done these days.  This means the studies performed to see if a drug is effective and safe are sponsored by the drug companies, themselves.  The drug companies are the ones paying the doctors to do the studies.  This results in an obvious conflict of interest.  My book revolves around just such an industry-sponsored drug study, and it satirizes the way physician-researchers are susceptible to bias and reaching pro-drug-company results when the work they’re doing is being sponsored by the people who make the drugs they’re testing.

Even though your book is fiction, are there elements of truth that we all must be aware of?

Christopher: Yes.  As just mentioned, the book is in large part a satire on actual practices in the world of pharmaceutical research.  Drug companies really do fund clinical trials.  The researchers doing those trials really do have a vested interest in reaching results that will please the drug companies because they know which side their bread is buttered on.  Drug companies really do sometimes suppress negative study results–something that occurs, prominently, in my fictional account.

If you had to pick out the most intense part of the book, what would that be?

Christopher: This would have to be the sting operation that occurs near the end of the book.  Without giving too much away, I’ll say this.  Clara and Pescoe have reason to believe that a death is going to occur at a certain time and a certain place on the Alzheimer’s ward.  They instigate a bait-and-switch plan which, if successful, will reveal the truth about what’s really behind the deaths on the Alzheimer’s ward.  I’d love to say more, but I’m afraid it would give too much away.

Finally, I like to ask authors this question…what is your passion?  What is it that you’re more passionate about than anything else?

Christopher: At the risk of sounding a bit corny, I would say the thing I’m the most passionate about is my marriage.  Marriage and work–but, if I had to pick one of the two, I’d say marriage.  My wife and I have been married nearly eighteen years (first marriage for both of use), and I would say marrying Sandy–my wife’s name is Sandy–was the best thing that’s ever happened to me.  Sort of, now that I think of it, sort of like how Pescoe’s meeting Clara is the best thing that’s ever happened to him.  My wife is my pillar of strength, a sweet breath of sanity in this crazy world.  Yeah, she’s my passion.  As the line from the song ["You Are So Beautiful"]  goes, “The guiding light that shines through the night.”

Thanks for coming, Christopher! Do you have any final words?

Christopher: Thanks for having me.  Excellent questions.  I enjoyed the interview.

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LS-thefirstpage

The First Page is one of Literarily Speaking’s newest features. Here we get a glimpse into an author’s work and what better place to begin than the first page? Authors share their first pages and answer a few questions about why they started their books off the way they did. Today we welcome John Knoerle, author of the spy thriller, A Despicable Profession: Book Two of the American Spy Trilogy.

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A Despicable ProfessionA Despicable Profession: Book Two of the American Spy Trilogy
by John Knoerle
The First Page

I’m back on my well-polished barstool at The Harbor Inn. It’s July, 1946.

I’ve been dubbed the ‘Little Deutsch Boy’ by the Cleveland Press. Is that dumb or what? So called because I kept my finger in the dike against the rising tide of Soviet Communism. The rising tide hasn’t receded. The Russians control everything east of “Stettin in the Baltic to Trieste in the Adriatic” as Churchill said earlier this year.

But they haven’t crossed the Elbe.

The local newshounds say I deserve much of the credit for that but I know different. I never met the man who was primarily responsible for stemming the tide and keeping Western Europe safe for democracy. I couldn’t tell you his name to this day.

They say that history is written by great men but that’s not strictly true in my opinion. Sometimes a little man, in the wrong place at the right time, can make all the difference.

John KnoerleThank you for stopping by Literarily Speaking, John.  Can you tell us what your book is about?

Happy to. Here is a brief synopsis:

May, 1946. America is basking in hard-won peace and prosperity. The OSS has been disbanded, CIA does not yet exist. Rumors swirl about the Red Army massing tanks along the Elbe in East Germany.

Former OSS agent Hal Schroeder gets an offer from Global Commerce LTD to be a trade rep in Berlin. He flies to New York to meet his new boss. Hal’s jaw drops when former OSS Chief Wild Bill Donovan strides in. Schroeder, who survived perilous duty behind German lines, says he is no longer interested in being a spy. General Donovan assures him that’s not part of his job description.

Hal comes to doubt that when he meets his immediate superior in Berlin. It’s Victor Jacobson, the case officer who sent him on repeated suicide missions in WWII.

The first page is perhaps one of the most important pages in the whole book.  It’s what draws the reader into the story.  Why did you choose to begin your book this way?

I have chosen in my spy trilogy to use the old film noir technique of revealing the ending before the novel begins. Remember “Sunset Boulevard”? The film opens on a dead body floating face down in a swimming pool. Bill Holden, via voiceover, tells us how he came to be there.

Nothing so drastic in my novel. I can’t very well kill of my first-person narrator in Book Two! But the first page tells us that important events have taken place. It’s not a whodunit so much as a how-dun-it.

In the course of writing your book, how many times would you say that first page changed and for what reasons?

Not much at all. Except for one crucial line. Sometimes a little man, in the wrong place at the right time, can make all the difference.

That was the key point of the story. And it didn’t occur to me until the book was almost done!

What advice can you give to aspiring authors to stress how important the first page is?

It’s always important but there are no hard and fast rules. My trilogy has an over-arching theme, but many novels don’t. A straightforward murder mystery would probably be best served by presenting the quotidian details of the lead character’s daily life.

There is nothing worse, in my opinion, than the introduction of gruesome violence on page one before the reader knows, or cares, about the victim!

You can visit John’s website at www.bluesteelpress.com.

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Laura Vosika 6

Shawn Kleiner has it all: money, fame, a skyrocketing career as an international musical phenomenon, his beautiful girlfriend Amy, and all the women he wants—until the night Amy has enough and leaves him  stranded in a Scottish castle tower.

He wakes up to find himself mistaken for Niall Campbell, medieval Highland warrior.  Soon after, he is sent shimmying down a wind-torn castle wall into a dangerous cross country trek with Niall’s tempting, but knife-wielding fiancee.  They are pursued by English soldiers and a Scottish traitor who want Niall dead.

Thrown forward in time, Niall learns history’s horrifying account of his own death, and of the Scots’ slaughter at Bannockburn.  Undaunted, he navigates the roiled waters of Shawn’s life—pregnant girlfriend, amorous fans, enemies, and gambling debts—seeking a way to leap back across time to save his people, especially his beloved Allene.  His growing fondness for Shawn’s life brings him face to face with his own weakness and teaches him the true meaning of faith.

This is the exciting premise of Laura Vosika’s new historical fiction, Blue Bells of Scotland, a historical adventure and a tale of redemption that will be remembered long after the last page has been turned.

We interviewed Laura to find out more about her new book.  Enjoy!

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Laura VosikaThank you for this interview, Laura. Can we begin by having you tell us what your new book, Blue Bells of Scotland, is all about?

Laura: Blue Bells of Scotland is a time travel and historic adventure, about two men, polar opposites but for their looks and love of music, who are mistaken for one another. Shawn is a modern musical phenomenon, who wears accusations of self-centeredness like a badge of honor. Niall is a devout medieval Highland warrior, the epitome of responsibility. The fate of Scotland rests on his shoulders. When they both spend the night at the top of the same castle tower, they wake up in the wrong centuries, caught in one another’s lives.

Such an interesting title for a book. Can you tell us why you chose it?

Laura: The title has several layers of meaning. It comes from the title of a theme and variations well-known to trombonists, and the story centers in part around Shawn, a professional trombonist, who uses this as his signature piece. The theme and variations is based on an old folk song about streaming banners and noble deeds—just the kind of thing I wanted to weave into any story I wrote.

On the deepest level, Blue Bells of Scotland was composed by Arthur Pryor in the days when the slide trombone (as it was then called) was a novelty instrument and people thought it couldn’t do much. He wrote it to showcase just how much a trombone is capable of. A theme throughout the novel is the belief of Shawn’s girlfriend belief that he is much more than he shows the world.

Blue Bells of ScotlandYour premise is doubly interesting – two men spend the night at the top of the same castle tower, and then wake up in the wrong centuries caught in one another’s lives. What century did they go to sleep in, then what century did they wake up in and what were their first reactions when they woke up?

Laura: Shawn Kleiner is a twenty-first century musician, who wakes up in 1314. Because the castle had historical re-enactors the previous day, he believes he’s among re-enactors. On seeing how serious they are, and the knives in their boots, he considers that he’s been kidnapped to the wilder parts of Scotland, and gladly slips out on Niall’s mission to escape them. He spends the next couple of days in parts of the Highlands and in a monastery, which look much as they do today, so it takes him awhile to understand what has happened. His reaction is deep shock, fear, and panic, as he realizes none of his prestige, power, and previous methods of dealing with people are going to save him.

Niall falls asleep in 1314 and wakes up in the present day. He is suffering from severe infection, and thinks, on waking, that he is suffering delirium. With medical treatment, with having grown up on stories of King Herla disappearing in time, and seeing the changes around him in modern Inverness, he figures it out much more quickly than Shawn. Determined to do his duty for his people, people he loves and cares about, he sets to doing what he needs to, to get back.

In researching castles for your book, which castle did you find the most interesting?

Laura: Each castle I visited has something that could make it the most interesting. Stirling’s Unicorn tapestries, for instance, or Dunvegan’s Fairy Flag. I loved the history of Urquhart and the atmosphere of Tioram, both of which I used as inspirations for Niall’s Castle Glenmirril. Which I found most interesting would probably be a tie between Tioram, and the abandoned ruins of Finlarig, sitting in a clearing of a copse in Killin. Both sit alone, no historical society or guided tours, no entrance fees. Both have a feeling of age and mystery, sitting alone, with few visitors.

You’re a lover of historical sites, aren’t you? Can you tell us a few of the places you have been that really intrigued you?

Laura: What a wonderful question! I grew up in the military, which gave me the opportunity to go to castles in Germany, and the historic sites of the United States, especially on the East Coast and around Washington, D.C. I am especially drawn to anything in the old parts of Boston, to Faneuil Hall, the old cemeteries, and the Old North Church. The history is so rich and fascinating, so full of great stories of character, people risking everything for what they believe in, and great events that impacted the whole world. I love the battlefields at Gettysburg and Little Bighorn. I was struck by the beauty and history of Linlithgow Palace, in Scotland. I would visit it often if I lived there. And I loved Castles Urquhart and Tioram. They have such a powerful sense of age and history, and lives lived and dramatic events.

In your opinion, what is the key ingredient for writing historical fiction that will keep readers turning page after page and not want to put it down?

Laura: The same as any story, I think the key is engaging characters about whom the reader cares. If the character feels like a real person, if they come to feel they know this character, they will want to know what happens, and keep reading.

Finally, I like to ask authors this question…what is your passion? What is it that you’re more passionate about than anything else?

Laura: I was told in college that I needed to focus. I still can’t! The best I can do is narrow it down to my children and writing, with music a close second.

Thanks for coming, Laura! Do you have any final words?

Laura: Thank you so much for having me! It’s been a pleasure! I welcome readers to stop by my site at www.bluebellstrilogy.com or read more about medieval Scotland at www.bluebellstrilogy.com/blog.

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Allie Larkin 3

Allie Larkin and Argo

Savannah “Van” Leone has loved Peter since the day they met. The problem is, Peter has loved Van’s best friend, Janie, since the moment they met. And now they’re walking down the aisle, with Van standing nearby in a Halloween orange bridesmaid dress, her smile as hollow as a jack-o-lantern. After the wedding, Van drowns her sorrows in Kool Aid-vodka cocktails and reruns of Rin-Tin-Tin, and does what any woman in her situation would do: She buys a German Shepherd over the internet.

The pocket-sized puppy Van is expecting turns out to be a clumsy, hundred-pound beast that only responds to Slovakian. Van is at the end of her rope—until she realizes that this quirky giant may be the only living being who will always be loyal to her, no matter what. And thus begins a friendship that will alter Van’s life in ways she never imagined.

Joe leads Van to Dr. Alex Brandt, a rugged vet with floppy blond hair and winning smile. But just as things are starting to heat up, the newlyweds return from their honeymoon, forcing Van to decide just how much she’s willing to sacrifice in order to have everything she ever wanted. Warm and witty, poignant and funny, Stay marks the arrival of an irresistible new voice.

This is the delightful premise of Allie Larkin’s new women’s fiction novel, Stay (Dutton).  We had a chance recently to interview Allie about her new book.  Enjoy!

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Allie LarkinThank you for this interview, Allie.  Can we begin by having you tell us what your new book, Stay, is all about?

Allie: Savannah “Van” Leone is heartbroken when her best friend marries the guy she’s been in love with since college.  She has to be the maid of honor in the wedding (and wear a hideous bright orange dress).  When the wedding is over, she goes home, has a few too many vodka and grape Kool-Aid cocktails, watches a Rin Tin Tin marathon and accidentally orders a German Shepherd off the internet from Slovakia.  The tiny puppy she thinks she’s getting turns out to be a 100lb beast who only responds to commands in Slovak, but Van quickly realizes that the dog, who she names Joe, is the loyal friend she’s been looking for.  Joe leads Van to Dr. Alex Brandt, a veterinarian with floppy blond hair and a winning smile.  But just as things start to heat up with Alex, the newlyweds come back, forcing Van to decide between old relationships and the promise of new ones.

That is a beautiful German Shepherd on the cover of your book.  Is that yours?

Allie:  Yes!  That is our dog, Argo.  When the designer at Dutton was looking for a cover photo, it was difficult to find a picture of a black German Shepherd that would work.  So the cover photo is the result of an afternoon in my backyard with my dog and my husband’s camera.  And it’s just so perfect to have Argo on the cover. He’s not an accidental internet purchase, but he is the inspiration for Joe.  Argo changed my life completely for the better, and I knew if Van had her own big, lovable German Shepherd, it would change her life too.

StayOne reviewer said your book is more like Gilmore Girls meets Marley & Me.  Is that a fair comparison, you think?

Allie: There are some very notable differences, but I’m certainly flattered by the comparison.

So how long have you been interested in writing women’s fiction?  Is this something you want to continue or do you have other genres you are writing?

Allie:  I’ve always loved women’s fiction.  I love people.  I love every day life.  I think great women’s fiction deals so well with internal struggles and the things that make us human.  I grew up reading everything from L.M. Montgomery to Fannie Flagg.  I didn’t intend to be a writer when I was growing up.  I had undiagnosed Attention Deficit Disorder and really didn’t think I was very bright.  Being a writer felt way beyond my grasp.  But while I wasn’t doing my homework for English class, I was busy reading Willa Cather and Louisa May Alcott.  I think I developed an aesthetic and a sense of story and character from the books I read then.  I didn’t realize what I was working toward at the time, but it did lay the foundation for what I do now.

I love science fiction, but I love it as a complete departure from what I write.  I’m not sure it’s something I’m interested in writing.  But I’ll never say never.

Do you have any women’s fiction authors you absolutely admire?

Allie:  I am the hugest Claire Cook fan. Her characters have so much heart, their relationships are complicated, and Claire has such an amazing sense of story.  If Claire has a new book out, I know that’s how I’ll be spending my weekend, because I can’t put her books down.  And she’s such a generous and lovely person to boot.

I also really admire Allison Winn Scotch’s work. You can tell, in reading her books, that she thinks about her characters as real people – all the little human details are there.  It’s so easy, as a reader, to get invested in them.  And, as a writer, I really appreciate the Ask Alison blog she writes on her website. http://www.allisonwinn.com/ask-allison/

One thing I found interesting about you is your interest in The Greenists.  Would you like to tell us more about this?

Allie:  In 2007, I started writing a green tip of the day column for a website.  When that website shut down, I decided to start my own website, and Allie’s Answers was born.  A little over a year ago, I asked Courtney Craig to join me.  Together, we created TheGreenists.com and asked some of our favorite bloggers to join us.  Our focus is on helping our readers find simple ways to make greener choices.  We’re green without the guilt. And we’re all average people trying to make a difference.

Silly question after the last one, but I ask everyone this.  What is your passion?  What is it that you’re more passionate about than anything else?

Allie:  Obviously, I’m passionate about the environment, writing and reading, and I don’t think it’s any secret that I’m crazy about my dogs.  I love to hike, camp, bike, kayak do pretty much anything outdoorsy.  And I’m passionate about being a wife and being a friend.  I am so lucky to have some really amazing people in my life, and I’m actively thankful for those relationships.

Thanks for coming, Allie! Do you have any final words?

Allie:  Thanks so much for having me!  I really appreciate it!  And I hope your readers enjoy Stay!

You can visit Allie’s website at www.allielarkinwrites.com.

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LS-thefirstpage

The First Page is one of Literarily Speaking’s newest features. Here we get a glimpse into an author’s work and what better place to begin than the first page? Authors share their first pages and answer a few questions about why they started their books off the way they did. Today we welcome Steff Deschenes, author of the self-help book, The Ice Cream Theory.

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The Ice Cream TheoryThe Ice Cream Theory
by Steff Deschenes
The First Page

I like ice cream.

That actually might be the biggest understatement in the his­tory of the world.

I’m infatuated with ice cream.

But for purposes of keeping friends, I never reveal my true ob­session with it until they get to know me and I can’t quite scare them off anymore. It’s one of those things they learn to accept, however frightening it may be.

Sometimes my love for ice cream even scares me.

When people think of me, I’d like to believe three things pop into their heads: one, she never wears anything but flip-flops, even in the snow!; two, her hair is perpetually messy; and, three, she really, really loves ice cream.”

Steff DeschenesThanks for stopping by Steff! Can you tell us what your book is about?

The Ice Cream Theory is a charming, tongue-in-cheek exploration of the parallels between human personalities and ice cream flavors.  Utilizing humor and satire, it brings together anecdotes from my own adventures with broader-reaching social commentary to help others recognize the wisdom and joy inherent in a beloved dessert.   In the same way people have ice-cream preferences, people also have people preferences.  Like ice cream flavors, social preferences shift based on age, experience, even mood. There are exotic flavors that one craves when feeling daring, comforting flavors to fall back on, flavors long-enjoyed that eventually wear out their welcome, and those unique flavors that require an acquired taste. Like people, no ice cream flavor is perfect every single time, and it’s in this realization that the crux of the theory lies.

The first page is perhaps one of the most important pages in the whole book.  It’s what draws the reader into the story.  Why did you choose to begin your book this way?

I wanted to immediately establish a conversation with the reader – I wanted their experience reading the book to feel like we were having an open dialogue; a late night chat between two friends, if you will, and not at any point like I was writing or talking at them.  I talk like I write – fragmented and animated.  It was important to me that these qualities shined through within the very first few sentences.

In the course of writing your book, how many times would you say that first page changed and for what reasons?

It never changed.  This page was written in 2002, and not a single revision was ever made to it.  It’s short, sweet, and to the point: this is who I am and this is what both I and the book are about.  Why mess with something as concise as that?

Was there ever a time after the book went to print you wished you had changed something on the first page?

No – it (and the entire first chapter it precedes) always felt just right to me – like a favorite, broken-in sweatshirt!

What advice can you give to aspiring authors to stress how important the first page is?

The best advice I ever learned as writer was that the very first sentence on the very first page had to hook the reader into wanting to read the next sentence.  If you can get them to read that next sentence, you can most likely get them to read the next one after that.  It really is all about the very first sentence.

You can visit Steff Deschenes on the web at www.steffdeschenes.com.

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