Archive for the 'The First Page' Category
LS-DayintheLife
A Day in the Life is Literarily Speaking’s newest feature. Here we get a glimpse into our favorite author’s day-to-day life! Today’s guest is Greg Messel, author of the novel, The Illusion of Certainty (Yorkshire Publishing).

•••••••••••••••••••••••••••••••••••••••••••••

Greg Messel 3A Day in the Life of Greg Messel
by Greg Messel

I live in Seattle, which is a beautiful, wonderful place to live. I live two blocks from the beach of the Puget Sound and I love to be outside enjoying it all.

However, it is now November and most days it’s rainy, blustery and cool. This is why cups of coffee are very important to Seattlelites. It’s that kind of vibe and that kind of weather. Put on your sweater, grab a good cup of coffee.

Maybe go cozy up to a good book or go see a movie–two other favorite past times of people who live in Seattle.

As the leaves turn in the fall and the rains move in, that’s when I get some serious writing done. I usually spend the summer contemplating and planning my next novel.

Then as the weather turns cool and rainy, I become immersed in the new world I’m creating in my novel. This is my favorite part of the entire journey as an author.

Marketing not so much, but when I’m creating a new world and new characters it is a magical high. I can live in a time and place where I’ve never been.

The Illusion of CertaintyThe world which now exists in my mind is 1957 in San Francisco. As I research what life was like in that time and place,it’s amazing to realize how much the world has changed.

I did live in the San Francisco Bay Area in 1957 but I was eight years old.

In my new novel I’m attempting my first detective story. It’s a mystery than unfolds on foggy nights in San Francisco of the 1950s.

I’m about halfway through the first draft. I expect to spend the rest of the winter finishing it and polishing the story. I love that process, especially where the story starts evolving and starts writing itself.

I’ve heard writers describe the development of their book as somewhat “organic.”  I was always a little puzzled by that term in regards to writing but this time around I have discovered what that means.

I started with a basic outline of where I thought I wanted to go with the story and characters. However, now I’m off the outline and the chapters are tumbling out. The story and characters are going places I did not imagine.

It is hard to describe how that happens to someone who is not a writer. I heard a story about a wood carver. He was asked by an admirer how he made these wonderful carvings. The wood carver simply explained, “I take a piece of wood and just start making some chips.”

I’m at the point where the chips are flying on my new novel. Ultimately, I hope it will be the best thing I’ve ever written. Next summer, I hope it’s finds an audience and readers enjoy it.

However, for now, it’s that wonderful time in the process of writing, when the story and characters live only in my imagination. They are my private property for a few months this winter. Then they will become public and everyone will start giving their opinion of my story and the characters.

This process is what keeps urging me on to write on these rainy fall and winter days in Seattle. It’s magic.

Greg Messel has written three novels and three unpublished memoirs. He published his premiere novel “Sunbreaks” in 2009, followed by “Expiation” in 2010 and “The Illusion of Certainty” in 2011. Greg has had a newspaper career as a columnist, sportswriter and news editor. He won a Wyoming Press Association Award as a columnist. Greg also spent many years in the corporate world as a Financial Manager. He now devotes his energies to writing at his home in Edmonds, Washington on the Puget Sound just north of Seattle, where he lives with his wife, Carol.

You can visit his website at www.gregmessel.com.  Connect with Greg on Twitter at www.twitter.com/gregmessel or Facebook at www.facebook.com/greg.messel.

About The Illusion of Certainty

The Illusion of Certainty follows two parallel storylines. Marc is a successful businessman who seems to have everything—a great job, a beautiful wife, a house in an upscale neighborhood of Portland, Oregon and two great kids who are preparing for college. But something is not right. Marc is unsettled by the sudden change in his wife, Aimee, who seems distant and unhappy. What’s going on with her?

The second storyline involves a successful young attorney, Alexandra Mattson. Alex, as she is called by her friends, meets a handsome young cop, Sean, during an unexpected crisis in her neighborhood. Sean and Alex seem made for each other and begin to merge their futures in a world of uncertainty.

The only certainty in life is that we will face uncertainty. Despite all fo the technology and controls available in the modern world, sometimes the only comfort comes from the human touch.

  • Share/Bookmark

Tags: , , ,

Questions in the Silence

Pump Up Your Book is pleased to announce Karen Glick’s Questions in the Silence Virtual Book Tour 2012 beginning on January 3  and ending on January 27 2012. Karen will be on hand during her worldwide tour promoting her book and giving us candid interviews and guest posts where we learn more about the author, she will have her first Twitterview and AuthorVid, both implemented by Pump Up Your Book, as well as giving her fans an opportunity to talk to her live via Pump Up Your Book’s chat room on January 27 where she will be giving away a copy of her book, Questions in the Silence!  Lots of fun along the way as Karen stops off at blogs around the world to give her fans a chance to ask her questions and to find out more about this talented literary fiction author.

About Karen Glick

Karen GlickKaren Glick lives outside of Philadelphia. She is a clinical psychologist whose other interests include writing, painting, and acting. When not feverishly engaged in these pursuits, she enjoys spending time with her four children, husband, cavalier king charles spaniels and cats.

Karen has just published her first novel, Questions in the Silence.

Website | Blog | Twitter | Facebook | Goodreads | Amazon | Amazon Kindle | Smashwords | Barnes & Noble

About Questions in the Silence

Questions in the SilenceAri Rothman, born with psychic abilities, has a lifelong fascination with spiritual issues. Childhood visions and intuitions combine to make her a bit of an outsider in her peer group and she turns to religion to create meaning in her life.

Ari’s childhood experiences and her strong desire to help others make her a natural psychotherapist. However, the conflict between her intuitive abilities and a more rational approach to the human psyche intensifies when her first long-term client ends his sessions unexpectedly.

Visit her official tour page at www.pumpupyourbook.com/2011/12/17/questions-in-the-silence-virtual-book-publicity-tour-january-2012/.  Win copies of her book, learn more about the author and be sure to join her on January 27 2012 in the Pump Up Your Book chat room.

About Pump Up Your Book

Pump Up Your Book handles all the aspects of virtual book touring from pre-buzzing your book before the tour starts to making sure buyers will find your book long after the tour is over.  If you are the author of a newly published book, have an upcoming release or just want to give a previously published book new life, a virtual book tour with Pump Up Your Book is the answer.  We welcome traditionally published, electronically published and self-published authors.  Our esteem list of clients include Claire Cook, Caridad Pineiro, C.W. Gortner, Barbara Bretton, Cody McFayden, James Hayman, Karen White, Kathleen Willey, Lisa Daily, Lisa Jackson, Mary  Burton, Nancy Thayer, Randy Sue Coburn, Ray Comfort, Sandi Kahn Shelton, Sheila Roberts, Therese Fowler, Hope Edelman, Wendy Wax, Jon Meacham, Shobhan Bantwal, Pat Williams, Jane Green, Judge Glenda Hatchett and cook show personality Paula Deen.  We also represent Random House, Abingdon Press, Zumaya Publications, WND Books, Sheaf House Publishers, New Hope Publishers, Guardian Angel Publishers, Genesis Press, and Moody Publishing.  Contact us to find out what we can do for you and your book!

If you’d like to contact Karen for an interview or review her book, contact Dorothy Thompson at thewriterslife@gmail.com.  Pump Up Your Book is an innovative public  relations agency specializing in online book promotion for authors.  Visit us at www.pumpupyourbook.com.

  • Share/Bookmark

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

LS-thefirstpage

The First Page is one of Literarily Speaking’s newest features. Here we get a glimpse into an author’s work and what better place to begin than the first page? Authors share their first pages and answer a few questions about why they started their books off the way they did. Today we welcome Rie Sheridan Rose, author of the epic quest fantasy, The Luckless Prince (Zumaya Otherworlds).

…………………………………………………….

The Luckless PrinceThe Luckless Prince
by Rie Sheridan Rose
THE FIRST PAGE

“If you look here, Your Highness…” High Chancellor Marcell Tolkot pointed one thin finger at the large vellum map spread on the oak conference table. “…you will see how the face of the continent altered when your grandfather united the provinces of Bellesaria and Fellstone in the year fourteen- twenty-one and settled his capital here at Crown Keep.

“He chose this castle as his stronghold because of its long history as a seat of power and culture. This final action effectively created the consolidated kingdom of Irthlan on the mainland with your uncle, Duke Roderick, as your father’s representative in the south. Of course, since the duke’s untimely death, his son has assumed those duties, acting as

viceroy in the lower provinces.”

Stefan craned his neck, trying to see the map from his position at the back of the room. As a mere squire, his presence in the class was no more recognized than that of a prize hound, but he was much more interested in the subject than his master.

Prince Roland Frederickson had no head for history or politics, preferring to spend his time with sword in hand or a book of romantic tales. The only lessons to capture his attention were those of tactics and strategy—earning him consistent praise from his fencing master and General Teodore Gunderson, but headshakes from Tolkot.

The high chancellor shook the sleeves of his robe into place with a self-important sniff, continuing his lecture.

“Of course, there are still the island chieftains, who claim sovereignty, but they are of little consequence.”

Roland leaned back in his chair, eyes on his quill as he slowly riffled the spines against the grain. He murmured a response in a cool, matter-of-fact calm that made Stefan uneasy.

Welcome Rie. Can you tell us what your book is about?

The book is about a young prince going stir-crazy at the palace. His father is persuaded to let him go on a trading mission down river. Once he and his squire are aboard the traders’ raft, they find themselves with more adventure than they ever bargained for.

The first page is perhaps one of the most important pages in the whole book. It’s what draws the reader into the story. Why did you choose to begin your book this way?

I wanted to set up a bit about the personalities of the characters right away. And get a bit of exposition dealt with as painlessly as possible. The history lesson Roland is getting holds important clues to future events, and Roland and Stefan’s reactions to it rather define their characters.

In the course of writing your book, how many times would you say that first page changed and for what reasons?

Oh, it’s changed many times. I believe the first version started out something like “High in the Rainbow Hills overlooking the vast Golden Heath lay the castle of Woodbridge Point.” I decided eventually that a geography lesson in the first sentence was a bit much. Then, for a long time, there was a prologue, which showed events that are later discussed in context. My current editor weaned me from the prologue saying that it would just spoil later revelations if I used it, because it was very obvious who I was talking about, no matter how cleverly I thought I had hidden it. (And no, I won’t elaborate. ;) )

Was there ever a time after the book went to print you wished you had changed something on the first page?

Sometimes I think it might have been better to have a more action oriented first page, but since this is one of the few points in the story when things are following an everyday routine, I think that it works to be more quiet and sedate than it will be later. That’s my opinion at least.

What advice can you give to aspiring authors to stress how important the first page is?

It is commonly said that when you submit something to an agent or editor, they will read the first little bit — sometimes as little as three or four paragraphs — and if you don’t grab their attention, or at least pique it, they throw it onto the reject pile. Sometimes you get lucky, and they’ll give you a bit more of a chance…but they are incredibly busy people, and it is to your advantage to grab them as soon as you can. I’ve heard it said that the first page should be polished more carefully than any other page in the book — but you also want to keep it balanced. If every other page in the book disappoints when compared with the first page, that initial hook that you set will not be enough to keep the reader through the entire story. I guess what I am trying to say is write a great book, and then polish up the welcome mat.

You can visit Rie’s website at http://riewriter.com.

  • Share/Bookmark

Tags: , , , , , , , ,

LS-thefirstpage

The First Page is one of Literarily Speaking’s newest features. Here we get a glimpse into an author’s work and what better place to begin than the first page? Authors share their first pages and answer a few questions about why they started their books off the way they did. Today we welcome Dave Zeltserman, author of the thriller, Julius Katz and Archie (Top Suspense).

…………………………………………………….

Julia Katz and ArchieJulius Katz and Archie
by Dave Zeltserman
THE FIRST PAGE

“What do I want from you? Simple. Find out who’s planning to kill me.”

These words were spoken by one Kenneth J. Kingston as he sat across from Julius, his voice having a thick nasal quality that bordered on whining. Kingston’s legs were crossed, his manner seemingly casual and unconcerned, his mouth compressed into a curious smile that seemed at odds with what he had just told Julius.

Kingston was a well-known Boston-area crime writer. I’d say he was a bestselling writer, but he wasn’t, at least not with his last several books. He was forty-nine and physically almost the exact opposite of his fictional private eye, and he certainly had no resemblance to tough guy crime writers like Mickey Spillane or Robert B. Parker. Dressed in an Armani suit and wearing expensive Italian loafers, he was five feet eight inches tall, and thin with a slight build. I had seen his publicity photos, so I thought I knew what to expect, but those must’ve been carefully posed because in real-life he didn’t resemble them very much. From his demeanor you could tell that he believed himself to be good-looking, but he wasn’t. Even if his tight curly hair hadn’t begun receding up his forehead, he wouldn’t have been. Not with his thin nose being as pointy as it was, and not with his chin being even pointier, and certainly not with that mouth of his being too big and wide for his angular face when it wasn’t compressed into a curious smile. If I had olfactory senses, I would have been able to describe the cologne he was wearing, but since I don’t, I could only guess it was some sort of dense musk. Of course it was possible he wasn’t wearing any cologne, but he seemed like the type that would.


Dave ZeltsermanWelcome Dave. Can you tell us what your book is about?

I had written several Julius Katz mystery stories which appeared in Ellery Queen’s Mystery Magazine. The first, ‘Julius Katz’, won last year’s Shamus Award, the second, ‘Archie’s Been Framed’ won the most recent Ellery Queen’s Readers Choice Award. ‘Julius Katz and Archie’ is the first full-length mystery featuring these characters, and is a charming and fun mystery appropriate for any reader.

The first page is perhaps one of the most important pages in the whole book. It’s what draws the reader into the story. Why did you choose to begin your book this way?

As I wrote it, it starts with a bit of a bombshell with a prospective client, Kenneth Kingston, telling Julius he wants him to find out who’s planning to kill him, but these words seeming to contradict Kingston’s manner.

In the course of writing your book, how many times would you say that first page changed and for what reasons?

The first book I wrote, Fast Lane, on the advice of several early readers, I ended up adding 50 pages to the front of the book, and starting the book earlier. The same with my second book, Bad Thoughts, although this was the advice of an editor at Warner Books. Since then my books have been published pretty much as I originally wrote them, with editors only asking for minor changes. With ‘Julius Katz and Archie’ no substantial changes were made, and the first page was only written once.

Was there ever a time after the book went to print you wished you had changed something on the first page?

No.

What advice can you give to aspiring authors to stress how important the first page is?

You want to draw the reader in from the very first line. And keep building momentum from there.

You can visit Dave’s website at www.davezeltserman.com. Connect with him on Facebook at www.facebook.com/people/Dave-Zeltserman/1434849193.

  • Share/Bookmark

Tags: , , , , ,

LS-thefirstpage

The First Page is one of Literarily Speaking’s newest features. Here we get a glimpse into an author’s work and what better place to begin than the first page? Authors share their first pages and answer a few questions about why they started their books off the way they did. Today we welcome Cynthia Kocialski, author of the business book, Startup from the Ground Up: Practical Insights for Entrepreneurs (CreateSpace).

…………………………………………………….

Start Up from the Ground Up

Startup from the  Ground Up: Practical Insights for Entrepreneurs
by Cynthia Kocialski
THE FIRST PAGE

It is the dream of many people—to be an entrepreneur, to start the next company that creates the hottest tech trends, or to change workplaces and lifestyles with a new product.  How do you transform your pie in the sky idea into a reality?  How do you start? What mistakes should be avoided? Are there any secrets?

The technology and the product is to the start-up what the heart is to the human body: they’re critically important, but many other pieces are needed for the human body to function as a whole. A company has no reason to exist without the product, but a great product alone will not make a successful start-up. This book will show what must be wrapped around the technology to create a success story.

All products and businesses emerge and evolve as the start-up interacts with customers, investors, and the marketplace. The successful start-up navigates the process of discovering the product and the business model.  This book will show the entrepreneur the key elements of the process and how to let the start-up unfold.


Cynthia KocialskiWelcome Cynthia.  Can you tell us what your book is about?

Startup from the Ground Up is about the very early beginnings of a company.  The book shows entrepreneurs why and what business details they need to focus on in the early stages of a company’s life.

Start-ups don’t fail because companies are unable to build the product. They fail because the entrepreneur ignores or neglects the business factors needed to bring that product into the market. Entrepreneurs concentrate on the product details too much. This book is about everything else the entrepreneur should and needs to address about the product.

The first page is perhaps one of the most important pages in the whole book.  It’s what draws the reader into the story.  Why did you choose to begin your book this way?

It appeals to the emotional aspect of an entrepreneur beginning a company. It creates an easy to understand analogy between a start-up company and human being as a whole. It gives them a reason to keep reading, and hopefully, the style of writing appeals to a budding entrepreneur’s impatience from information and sets the expectation for a light and easy-to-read book.

In the course of writing your book, how many times would you say that first page changed and for what reasons?

It only changed once. After the content editor read it for the first time and said the book needed a Prologue. I spent more time agonizing over the flow of the book and the opening paragraphs of each chapter.

My book is a non-fiction book targeted at a reader who wants to know how-to start a company. The book was modeled after Harry Beckwith’s popular marketing books. The intention was for each chapter to impart an important nugget of wisdom, but each chapter could be read alone without the need to read the previous chapters.

The unfortunate truth is most start-ups fail. I recall my content editor stresses the importance of being upbeat and positive on the opening paragraphs.

Was there ever a time after the book went to print you wished you had changed something on the first page?

No, because I’m still not sure how the book is being received. You write a book and you become too close to the words. One of the worst aspects of writing the book was reading it over and over and over again. You end up boring yourself. You can’t tell as an author how the reader will perceive the book, and you have to wait until you get feedback.

What advice can you give to aspiring authors to stress how important the first page is?

Do your best to write the first page. Online opinion surveys are fairly inexpensive these days. I would take the first page and conduct a survey.  Have a hundred people read it and ask for feedback.

Visit Cynthia’s website at www.cynthiakocialski.com.

  • Share/Bookmark

Tags: , ,

LS-thefirstpage

The First Page is one of Literarily Speaking’s newest features. Here we get a glimpse into an author’s work and what better place to begin than the first page? Authors share their first pages and answer a few questions about why they started their books off the way they did. Today we welcome Valmore Daniels, author of the science fiction novel, Forbidden the Stars (Mummer Media).

…………………………………………………….

Forbidden the StarsForbidden the Stars
by Valmore Daniels
THE FIRST PAGE

My ancestors tell us that on a calm, still night, if we listen hard enough, we can hear the planets move. They call it the Music of the Spheres, and its song is a tale of the return of the gods. I have heard this song.

But I am just an old man. What do I know?

My grandson comes up to me to ask permission to play with his friends. I ask him, “Do you want me to tell you the story of the end of the world?”

I know he has already heard me tell this tale, and he does not believe. He would rather play with his friends.

Maybe if I tell him a few more times, he will come to believe.

I can only hope; but what do I know?

I tell him of Hunab Ku, the god of gods, the creator of the Maya. I tell him that Hunab Ku rebuilt the world three times after three deluges, which poured from the mouth of a sky serpent—some say from the mouth of Kukulkan, god of the sun, the oceans, the earth, and the sky.

I tell my young grandson, who grows bored at my tales, that Kukulkan built the first world and the second world. He did this so that the third world would be ready for the People of the Earth, the Maya.

I tell him of the folly of the Maya, of their arrogance, of the decadent ways and human sacrifices, and the foretelling of the white man. I tell him of the end of the third world, of the destruction of our ancestors.

My grandson smiles. He believes I am just a lonely old man who tells grand tales.

Valmore Daniels 2Welcome, Valmore. Can you tell us what your book is about?

Forbidden The Stars takes place at the end of the century and concerns the decade leading up to the point where humankind enters the Interstellar Age. There are three main plotlines that intertwine. A catastrophic accident in the asteroid belt leads to the development of an element which can fuel faster-than-light travel. The first manned mission to Pluto discovers signs of alien life. And from the depths of a criminal empire on Luna, an expatriate watches all of this and makes his move to seize control of interstellar travel.

The first page is perhaps one of the most important pages in the whole book.  It’s what draws the reader into the story.  Why did you choose to begin your book this way?

I wanted to give a voice to the wisdom of our elders, who have the benefit of experience, and contrast that to the myopathy of youth. This is an underlying theme for the entire novel. Our expansion into interstellar space signifies a leap from our youth, when we are bound to our own solar system, to maturing as a society, where we are fit to join the interstellar community.

In the course of writing your book, how many times would you say that first page changed and for what reasons?

The first page did not change, other than to editorial requirements. It’s very nearly the exact words I used in the first draft of the novel. For me, it captured the spirit of what I wanted to say, and provided a solid foundation for the rest of the story.

Was there ever a time after the book went to print you wished you had changed something on the first page?

I’m very pleased with the first page, and I have had more than a few comments from readers expressing that they enjoyed having the old man’s perspective as bookends for the novel.

What advice can you give to aspiring authors to stress how important the first page is?

The job of the first page is to capture a reader’s attention immediately, and draw them into the story. All fiction requires a certain suspension of disbelief. By presenting a confident voice and unique perspective from the first word, you can allow the reader to shrug away the bounds of reality and immerse them in your fiction.


  • Share/Bookmark

Tags: , , , , , , , , , , , , , , , , , , , , , , , ,

LS-thefirstpage

The First Page is one of Literarily Speaking’s newest features. Here we get a glimpse into an author’s work and what better place to begin than the first page? Authors share their first pages and answer a few questions about why they started their books off the way they did. Today we welcome Nicholas Oliva, author of the nonfiction spiritual book, Finding God: To Believe or Not to Believe (Old Line Publishing).

…………………………………………………….

Finding GodFinding God: To Believe or Not to Believe
by Nicholas Oliva
The First Page

I waited a long time to begin writing this book.  The incidents contained within occurred in October 2004, while at a hospital in Nevada.  There are a few reasons why I chose to wait this long to tell my story.  the first and most influential was the reasoning that by taking a stand on what I experienced and believe, I would have many detractors and people who would attack me in order to perpetuate and bolster their own beliefs and/or lack of beliefs and use me as an example.  In order to fully explain what I’ve gone through, I will have to touch upon religion, morality, and ethics.  My eschatological theme is actually non-religous and promotes the energy within as Godly, not the looking outward, by seeing with the eyes of the world.  I always have been skeptical of near-death experiences or NDE.  So it was with much skepticism I examined the empirical evidence of charts confirming the flat-line of my heart while in intensive care.

Nick Oliva 2Thank you for visiting us, Nicholas. Can you tell us what your book is about?

Finding God: To Believe or Not to Believe is merely one human’s perspective and life experiences I am sure will mirror many other beings on this planet. To answer the question “why?” we must begin to understand who we are and what our limitations are. To be so arrogant as to have all the answers is the beginning of any normal human exclusionary, and possibly violent, action against those who would do harm in order to force others to believe as they do. No sword or bullet will convince any fanatic to change their mind. However, the defining point for a fanatic is a relative term in this world. Those who do nothing to stop this behavior can be just as guilty as the fanatic they allow to perpetuate such violence by tacit approval.

I waited a long time to begin writing this book. The incidents contained within occurred in October 2004, while at a hospital in Nevada. There are a few reasons why I chose to wait this long to tell my story. The first and most influential was the reasoning that by taking a stand on what I experienced and believe, I would have many detractors and people who would attack me in order to perpetuate and bolster their own beliefs and/or lack of beliefs and use me as an example. In order to fully explain what I’ve gone through, I will have to touch upon religion, morality, and ethics. My eschatological theme is actually non-religious and promotes the energy within as Godly, not the looking outward, by seeing with the eyes of the world. I always have been skeptical of near-death experiences or NDE. So it was with much skepticism I examined the empirical evidence of charts confirming the flat-line of my heart while in intensive care.

Much of what I think goes back to a search for meaning I have been drawn to throughout my life, beginning at a very early age. I was an altar boy, studied Latin, and planned to become a priest until the Pastor I adored, and everyone in the parish loved, committed multiple acts of sexual abuse to me and others over a period of four years. Those acts changed my thought process about the sanctity of the Church and the real questioning began in earnest for me. The idea of such a tidy and pious devotion to a religion containing more holes than Swiss cheese, as well as a whole horde of other accepted dogma of Catholicism, brought me to a silent, but pervasive, pensiveness.

All of this being said on such a heady subject, I have tried to write this in a non-scholarly, at times humorous and hopefully interesting, but easily digestible way. I’m sure there will be some indigestion occurring with those who will remain opposed to logical thought, irrational fear, and immovable theology. Bon appétit to those of diverse palates.

The first page is perhaps one of the most important pages in the whole book.  It’s what draws the reader into the story.  Why did you choose to begin your book this way?

Actually the “first” page is the Introduction and I chose to twist things around so that the reader could get an idea of what was to follow certainly wasn’t going to be predictable in the least. This is a book about spirituality, my own Near Death Experience, and religions. The following is how I began the book…..the surprise is who I quoted:

No sword or bullet will convince any fanatic to change their mind. However, the defining point for a fanatic is a relative term in this world. Those who do nothing to stop this behavior can be just as guilty as the fanatic they allow to perpetuate such violence by tacit approval. The following is from a speech made by a very conservative man in 1981 in the United States Senate Chambers:

On religious issues there can be little or no compromise. There is no position on which people are so immovable as their religious beliefs. There is no more powerful ally one can claim in a debate than Jesus Christ, or God, or Allah, or whatever one calls this Supreme Being. But like any powerful weapon, the use of God’s name on one’s behalf should be used sparingly. The religious factions that are growing throughout our land are not using their religious clout with wisdom. They are trying to force government leaders into following their position 100 percent. If you disagree with these religious groups on a particular moral issue, they complain, they threaten you with a loss of money or votes or both.

I’m frankly sick and tired of the political preachers across this country telling me as a citizen that if I want to be a moral person, I must believe in “A,” “B,” “C” and “D.” Just who do they think they are? And from where do they presume to claim the right to dictate their moral beliefs to me?

And I am even more angry as a legislator who must endure the threats of every religious group who thinks it has some God-granted right to control my vote on every roll call in the Senate. I am warning them today: I will fight them every step of the way if they try to dictate their moral convictions to all Americans in the name of “conservatism.”

That man was Senator Barry Goldwater from Arizona.

In the course of writing your book, how many times would you say that first page changed and for what reasons?

It never changed at all.

Was there ever a time after the book went to print you wished you had changed something on the first page?

No

What advice can you give to aspiring authors to stress how important the first page is?

The first page sets the tone for the entire book. If you cannot get the reader’s interest in the very beginning chances are you are not providing a “hook” or a point of view that is compelling.

What prompted you to write this book?

Don’t you think that if people would wake up and realize that life is so short that they could put aside their differences and follow “the Golden Rule” and just do unto others as they would have done unto themselves?  “If” is the key word in this question. “If” is a small word with huge implications. One of the quotes I use in the beginning of my book is from Star Trek II. “How we deal with death is at least as important as how we deal with life, wouldn’t you say?” Most would “not say” as they fear the unknown, no matter how imminent it is going to be and allow that fear to seep through in myriad ways that are not healthy or good for society as a whole. Hence our worldwide situation of swallowing that bitter pill to prevent those fears from taking our psyche over and to begin dealing with each other with compassion and understanding without judgments over which God we chose. It is a tough road to traverse but as society develops the technology that will decide our ultimate future, we need to live in the now and take care of ourselves and those that we love.

Another primary reason for writing this book was to try and create a bridge for people of different spiritual beliefs (or none) to come together and understand that each has their own path. For example, if we take away any possibility for life after flesh, does it make any difference in how one acts in this dimension? If one is an atheist or a Christian should they not act to make the choice for the betterment of society as a whole?

“To believe” is a leap of faith and no one should deny anyone that faith as long as it doesn’t hurt anyone else and if one does not have that faith then they can be just as humanist as Mother Theresa. I realize it is a daunting task to ask such polar opposite thinkers to come together but what I am saying is logical. My god doesn’t beat your god and if you don’t have one doesn’t mean that you are a horrible human being. Society needs to enlighten or lighten up on the essence of being human. In geologic time we have been here but seconds and we need not be so arrogant to those of our own species as if we have the answers to all salvation and they are heathens not worthy of being on this earth. Being religious does not mean that you live in a spiritual way. Spirituality is of the human mind and is a way of life not a ritual to practice on Sundays. Love is the greatest gift that we have. Sharing it and being selfless is the hardest part of accepting that gift. I am grateful to be able to be here now…and really that’s all I can ask for. We really are all in it together and I’m trying to convince people of that very fact….one mind at a time.

Did something specific happen to prompt you to write this book?

Much of what I think goes back to a search for meaning I have been drawn to throughout my life, beginning at a very early age. I was an altar boy, studied Latin, and planned to become a priest until the Pastor I adored, and everyone in the parish loved, committed multiple acts of sexual abuse to me and others over a period of four years. Those acts changed my thought process about the sanctity of the Church and the real questioning began in earnest for me. The idea of such a tidy and pious devotion to a religion containing more holes than Swiss cheese, as well as a whole horde of other accepted dogma of Catholicism, brought me to a silent, but pervasive, pensiveness.

The process began at age ten. My natural ability to speed read had me zipping though texts and encyclopedias in my parent’s spare room. My punishment when I was bad or disobedient—go to the spare room! Little did they know I liked to be alone in the spare bedroom. Never show your hand when you’re that young. I learned encyclopedic history at an early age and I never could seem to rectify the history of man and the religious aspects of what was daily living within the Church’s doctrines. None of it ever made any sense to me. The kernel of why stood firm in my mind when I was dismissed as a harmless, shy altar boy patronized by those ‘holy’ disciples of God’s word, but never taken seriously. I also had an analytical and legal mind early on.

On Sundays my parents hammered me to mow the lawn (one of my least favorite activities which I think eventually caused the development of my ‘Bubble Boy’ allergies). One of the Ten Commandments was no servile work on the day of the Lord. I told my parents it was a mortal sin to work on Sundays and I wasn’t going to do it. I wasn’t going to burn in hell because I broke one of the Commandments. Well, this motivated them to proceed to the Pastor and explain their frustrations with me. He told them the commandment applied only to work done for money. When my mother and father confronted me and told me what the Priest told them, I replied “You give me an allowance based on my chores so that’s for money and it’s still a sin.” They just looked at me and walked away dumbfounded. Then my father started ordering me to do it on Saturdays beginning the next week, but with my point won, I didn’t raise any more fuss.

I am not on a Crusade to get even or destroy anything or anyone I can. I am not trying to hurt people of any faith. I’m trying to get them to understand they are responsible for their actions, not the Lord, who conveniently makes those of said devoutness able to justify in their own minds incredibly horrible things they do to one another. I’ve made my peace with Father Richard and his sexual abuse many, many years ago. It had subconscious effects on me that have taken years for me to realize, nonetheless. Some of which resulted in a twisted perspective and a mentality that has been a gift for me and created a normal insanity I enjoy on a day to day basis. In fact, I know I’m just as damaged as everyone else out there, in my own way, and that way allowed me the ability to handle immense troubles and “face piles of trials with smiles” as the Moody Blues put it.

I have no ill will toward people of faith, none whatsoever, as long as my own beliefs and faith are respected. We can talk and debate any points at all without judgments, but I have yet to find anyone not judging in a prejudicial manner to enable an intelligent conversation. I mean no harm to good Christian people, or to anyone of any religion. If their religion gives them the strength to carry on with the true selflessness of what that faith should always be founded upon, then dominus vobiscum, or peace be with you. I have no gripe or groans over anyone who lives their life within what they preach, as long as they preach peace, love, and understanding. The issue I approach in this book is one of exclusion for those of non-like minds, not those of no faith or zealots (that term came from religious fanatics who would kill for their faith –Zealots).

If we all could keep our fear, greed, and pride at bay we could accomplish great things in the course of human history. It’s not too late. It begins with convincing one mind at a time. We can agree to not agree as long as we put the weapons down, stop the hate of those we don’t understand, and always allow for doubt – always. Once you think you have it all figured out, you’ve lost the battle. Life is a series of unending educational experiences. Don’t shut them out by holding steadfast to anyone’s dogma which doesn’t include you as the force and spirit behind it all. You are what counts. You are the only one who can make a difference in the world about you.

If you could leave the world with one piece of advice, what would it be?

People should take good wishes from anyone and whatever sources that may be based on illusions of what anyone may think “God” is. Those good wishes are still good deeds and not a road to hell as many atheists want to believe. They do not want to believe it because they do not want to validate anyone’s religion because they think that if they allow any piece of that religion then they are acknowledging all of it. And atheists have a point in that they are highly discriminated against by those of religion.  They have a tougher road to hoe than Wiccans. I think they should be called naturalists, not atheists, as it is closer to what they ascribe. They believe in the natural order of things. There are also different levels of what constitutes atheism. I think that many become hostile as a result of the backlash that is given to the negative connotations of the word atheist and what it implies to most people.

I think that good thoughts are good deeds and a prayer is hopefully also a good thought. I seriously doubt most even know what god they’re praying to as members of the same faith have different mindsets of what that deity is in their minds. My point in all this is that love in all aspects trump any and all dogma, non-believing, or any “Word of God” that tell you to hurt anyone else in the name of that religion. As far as I’m concerned in my book (literally) caring for a human being without conditions is a wonderful thing and far supersedes any and all other beliefs or actions. Too bad few do exactly that, but there are people out there trying. Hope should replace faith and perhaps we’d be on the higher road.

I know of many people who will not have an opportunity to enjoy family and close friends because of petty bickering. I know of others whose pride allowed the opportunity to be lost, probably forever, over nothing but misconceived and misdirected anger. Life is not like the movies with the sun-setting, happy ending, and all being well. It is tough and hard to swallow at times, but hope is the only answer there is regardless of what you believe and what god you pray to, if at all. Try to never assume, always give the benefit of the doubt to all, in order to live the life of a real human being. It can be the beginning of a new beginning. Scattering love and happiness is worth the effort, those seeds will grow, I assure you. One must have love for one’s self to be able to spread love unconditionally.

Do you have any advice for writers or readers?

“Dreams are the substance of reality.” (Henry Miller) Dreaming is what gets me through to tomorrow. They can take hold with little things and it is the little things that add up to the big things that can happen. I’ve learned long ago that what happens sometimes is beyond one’s control, but how one reacts is the true measure of whether happiness exists after the dream is reached. After all a dream is no longer a dream if it is now reality. One should always watch for what one dreams. They may come true. Keep rowing that boat down the stream, merrily.

  • Share/Bookmark

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , ,

LS-thefirstpage

The First Page is one of Literarily Speaking’s newest features. Here we get a glimpse into an author’s work and what better place to begin than the first page? Authors share their first pages and answer a few questions about why they started their books off the way they did. Today we welcome Bronwyn Storm, author of the romance novel, Ethan’s Chase (The Wild Rose Press).

…………………………………………………….

Ethan's ChaseEthan’s Chase
by Bronwyn Storm
THE FIRST PAGE

The cloying smell of almond syrup skittered along the tendrils of mist rising from Chase’s cup of steamed milk. She snorted in disgust. Either the server at the coffee-shop had given her amaretto flavoring when she had asked for hazelnut or, distracted with her thoughts of work, she’d grabbed the wrong cup. Searching in vain for a garbage can, Chase rounded the street corner and collided with something hard and solid—a wall, or a door. Then she realized walls and doors didn’t come with cashmere coverings, nor did bricks or wood possess that spicy, masculine scent that tickled her nose.

She retreated backwards and stared in dismay as the milk soaked into the man’s clothing. Steam rose from the black cashmere, a wispy indictment of her inattention. Serves me right for being distracted, she thought with shame, her gaze lifting to inspect the stranger beneath the coat. The breath caught in her throat as her lips parted in raw feminine awe. She gulped and closed her mouth before she started to drool. Now was not the time to be salivating over a guy. But Chase couldn’t help it. He stood well over six feet, with dark blond hair, and a lean, sculpted face reminiscent of Michelangelo’s David.

“I’m so-so sorry.”

He didn’t say anything, but his eyes—an intense, mind-boggling shade of electric blue—stared at her with such sensual concentration, her thoughts scattered into the December winds. She cleared her throat and tried again.

Natasha - On NameWelcome Bronwyn! Can you tell us what your book is about?

This is from the back cover: Still wounded from a disastrous love affair, advertising executive Ethan Phillips has spent the past five years outwitting Cupid with a series of dekes and fakes. Who knew the tricky cherub would get wise? Rather than piercing Ethan’s heart with an arrow, he douses it with amaretto-flavored milk. A quick visit to the drycleaner and a stern lecture on the dangers of gorgeous, charming women, and he figures he’s made another clean getaway. But when the sexy woman turns out to be Chase Logan, his new systems programmer, Ethan’s got nowhere to run. Her charm, humor and intelligence soon have his heart racing and his libido revving. Suddenly, the man who spent his time running from Cupid, is looking to borrow a few arrows. Ethan’s ready to give chase and pursue love. Will he catch the heart of his programmer or just be left catching his breath?

The first page is perhaps one of the most important pages in the whole book.  It’s what draws the reader into the story.  Why did you choose to begin your book this way?

I had a few things I needed to accomplish with the first page: 1) Have Chase and Ethan meet (2) Have them meet in a way that doesn’t benefit Chase (3) Have them meet in a way that would trigger bad memories for Ethan.

Plus, I wanted a meeting that could happen in real life, but wasn’t a bar/dating scene. I remembered from my years at university, how often people would slam into each other. I mean, we were all bleary-eyed and punch drunk from exams, papers, and carting around books that weighed more than an entire NFL team.  So, I figured literally running into someone would work.  I had a couple of friends who met their boyfriends that way, and I thought, heck, Chase has got to try and chat up Ethan…and because it’ll be fun, I’m going to make it all go wrong for her.

Which is okay. I mean, nothing ventured, nothing gained…it’s embarrassing, but she can get over the rejection….yeah right. He turns out to be her newest and biggest client.

Heh, heh.

Let the fun begin.

In the course of writing your book, how many times would you say that first page changed and for what reasons?

Wow. Well, the version that eventually went to the publisher was edited ten times, and before that, I must have tried at least fifteen different ways of getting them together.

It changed for some of the following reasons:

  1. Flying monkeys only worked in The Wizard of Oz.
  2. Making her a ninja-spy was me living vicariously through a fictional character.
  3. Like mother said: it’s only funny until someone loses an eye.
  4. I couldn’t find a rhyme for “coefficient of cubical expansion.”
  5. It’s a romantic comedy. I want readers to laugh because the writing’s funny, not because the prose is clunky and horrible.
  6. The haiku had too many syllables.
  7. The Matrix already took my idea.
  8. The Secret Service didn’t approve of the first line.
  9. Even my dogs and cats groaned at the opening.

10. It violated String theory.

Was there ever a time after the book went to print you wished you had changed something on the first page?

Hee hee hee.  Uh, you know you’re asking an over-achieving, Type A, neurotic perfectionist, right?  I don’t know any authors that can’t think of ways (even after the book is published) that they could have made their novel better.

What advice can you give to aspiring authors to stress how important the first page is?

You know, here’s the thing, it IS important, but at the same time, as writers we really over think this stuff.  We get wrapped up in the mechanics and our inner-editor starts swallowing steroids and beating the crap out of us, and pretty soon, we’re under the desk, stuffing ourselves full of chocolate, and muttering, “Find your happy place. Find your happy place.”

Oh. Wait.

Is that just me?

My advice is this: when you’re writing that first draft, write for yourself. Go ahead. Make your heroine a butt-kicking ninja-spy who regularly violates string theory, pokes bad guys in the eye, and can rhyme “coefficient of cubical expansion” while reciting a haiku.

I mean, why not?  The first draft is only for you, the writer.

Once the story’s finished, THEN worry about how that first page reads.  Send it to people you trust. Better yet, sent it to people you don’t trust.

Go back to the books you LOVE, and read with a discerning eye. How did they start their story? How did they set up the conflict/plot in the first-five pages? What did this author do that kept you turning the pages?

Then try to do it—not copy it, but follow their “formula,” by which I mean: did they start with a funny line that made you laugh silly? Can your story start with a funny opening?  Did the author open with the character in the midst of some issue that pulled you in?  Can your story start with your hero/heroine in the midst of a big issue?

Fill yourself with chocolate, tea, chips, and cookies, and write.  Writing will always save you because you can change stuff, edit pages, delete scenes. But if you don’t sit down and write, then you have nothing, no pages, and then where will you be?

So, write, write, and write some more.

Bronwyn Storm

www.bronwynstorm.com

  • Share/Bookmark

Tags: , , , , , , , , , ,

LS-thefirstpage

The First Page is one of Literarily Speaking’s newest features. Here we get a glimpse into an author’s work and what better place to begin than the first page? Authors share their first pages and answer a few questions about why they started their books off the way they did. Today we welcome Mark Oetjens, author of the science f iction novel, The Staff of Rahgorra (Conquer Publishing).

…………………………………………………….

'The Staff of RahgorraThe Staff of Rahgorra
Mark Oetjens
The First Page

Thrull looked out the observation lounge viewport. He searched the stars for the small shuttlecraft making its ascent from the green planet far below. Danta was the capital of the Cucop Alliance, an alliance of almost a million star systems. Today he would start the process of formalizing his control over the Cucop. He already had absolute control over the Cucop underworld. He controlled most of the workers’ unions and ran all of the major politicians, on the individual systems, as well as within the central government. He legitimately controlled at least a piece of every major corporation in the Alliance, and he also owned several businesses of his own, most of which were fronts for illegal activities. In short, he ran the entirety of the systems and controlled the central government. A factory worker on some backwater world could not sneeze without his say so, but neither could the government make any policy. Yet few people actually knew his name, and even fewer knew the power he wielded. To gain the ultimate prize though, that had to change. Today would begin that process.

He finally recognized the shuttle against the background of stars and other spacefaring traffic. The rest of the traffic avoided his Shuntok, giving her a wide berth, obviously intimidated by her size. Only the shuttle was foolish enough to approach. Good. Intimidation was one of the reasons for building her and her sisters, who were still in spacedock in various stages of construction. She was the largest ship the galaxy had ever seen, almost half again as large as a Perlag Cruiser, which was now second largest. He wondered if the shuttle’s lone passenger was intimidated. He would find out soon enough.

Mark Oetjens 2Thanks for visiting, Mark.  Can you tell us what your book is about?

The Staff of Rahgorra is a science fiction action-adventure. Thrull, a crime lord, wants to rule the galaxy. He knows the key to his plan is to find the mythical weapon known as the Staff of Rahgorra. Cam and his apprentice Kayo, agents of the Galactic Security Bureau, are determined to find the Staff first and avoid the war that Thrull threatens. Along the way Cam seeks the help of some interesting and questionable characters.

The first page is perhaps one of the most important pages in the whole book.  It’s what draws the reader into the story.  Why did you choose to begin your book this way?

I chose to start The Staff of Rahgorra the way I did as an homage to the way the Star Wars films began.

In the course of writing your book, how many times would you say that first page changed and for what reasons?

Other than some minor editing, I don’t think the first page changed much at all. I wanted to show Thrull’s power and give away a little of his ultimate plan. I definitely did not want a big action sequence. I just wanted to show this powerful person musing over an insignificant shuttle.

Was there ever a time after the book went to print you wished you had changed something on the first page?

No. It took me almost 20 years to finish this novel. By the time I did finish, the first page was pretty much set in stone.

What advice can you give to aspiring authors to stress how important the first page is?

The first page is a balancing act. It should give the reader an idea of what the story is about without telling the whole story. As a writer I believe you should know what you want to include on the first page before you sit down to write.

You can visit Mark’s website at www.conquerpublishing.com.

  • Share/Bookmark

Tags: , , , , , , , , ,

LS-thefirstpage

The First Page is one of Literarily Speaking’s newest features. Here we get a glimpse into an author’s work and what better place to begin than the first page? Authors share their first pages and answer a few questions about why they started their books off the way they did. Today we welcome Vincent Zandri, author of the thriller novel, The Remains (Stone House Ink).

…………………………………………………….

The Remains smThe Remains
Vincent Zandri
The First Page

THE GUARD SERGEANT STANDS at the base of a four-tiered iron cell block, the angelic orange-red rays of the early morning sun shining down upon on him through the top tier chicken-wire windows.

Cupping his hands around his mouth, he shouts, “Joseph! William! Whalen!”

Inside a dark cell, inmate Whalen inhales his final wormy breath inside D-Block. He stands before the vertical bars. So close, the hooked nose on his hairless face and head is nearly pressed against the iron.

“Cry, cry, cry,” he chants quietly to himself. “Cry, cry, cry you naughty kittens.”

An abrupt electric alarm sounds. Metal slams against metal. The noise echoes throughout the concrete and steel prison block. But no one—not inmate or screw—notices it. When the barred door crashes open, the shock reverberates inside Whelan’s chest. It is the sound of freedom.

“Step forward,” shouts the guard sergeant.

There to greet him are two uniformed corrections officers. They will escort him along the gangway, down the four tiers to the first floor.

Having descended the metal stairs to a place called ‘between gates’, Whelan proceeds through a series of opened and closed barred doors, until he comes to Intake/Release.

A female Corrections Officer stands protected inside the barred window of the small brightly lit cubicle.

“Name,” she exclaims, voice detached, but sprinkled with anger.

“Joseph William Whalen,” speaks the inmate, not without a smile that exposes gray-brown teeth.

Bobbing her head in silence, the C.O. turns, locates the prepackaged materials that sit out atop her metal desk. Setting the plastic bag through the small opening beneath the bars she reads off a neatly typed inventory. “One wallet containing ten dollars cash, thirteen cents in coins. One neck tie, one ring of keys, one pocket-sized Holy Bible, one black-and-white photo.”

Slipping his hand inside the clear plastic bag, Whelan shuffles around the items until he comes to the white-bordered three-by-five inch photograph. He pulls it out, examines the faces of two pre-teen girls. Identical twins. In the picture they are smiling and laughing, as though playing for the camera.

Vincent ZandriThanks for visiting us, Vincent.  Can you tell us what The Remains is about?

Thirty years ago, teenager Rebecca Underhill and her twin sister Molly were abducted by a man who lived in a house in the woods behind their upstate New York farm. They were held inside that house for three horrifying hours, until making their daring escape.

Vowing to keep their terrifying experience a secret in order to protect their mother and father, the girls tried to put the past behind them. And when their attacker was hunted down by police and sent to prison, they believed he was as good as dead.

Now, it’s 30 years later, and with Molly having passed away from cancer, Rebecca, a painter and art teacher, is left alone to bear the burden of a secret that has only gotten heavier and more painful with each passing year.

But when Rebecca begins receiving some strange anonymous text messages, she begins to realize that the monster who attacked her all those years ago is not dead after all. He’s back, and this time, he wants to do more than just haunt her. He wants her dead.

The first page is perhaps one of the most important pages in the whole book.  It’s what draws the reader into the story.  Why did you choose to begin your book this way?

The prison release of homicidal child abductor Joseph William Whelan sets the stage for the nightmarish terror that’s about to begin for my protagonist Rebecca Underhill.

In the course of writing your book, how many times would you say that first page changed and for what reasons?

Not at all. Other than basic line edits, I had thought out how to start the novel a long time before writing it.

Was there ever a time after the book went to print you wished you had changed something on the first page?

No.

What advice can you give to aspiring authors to stress how important the first page is?

Your first words must bait and hook the reader like a juicy worm will a hungry fish. Lose them in the first two sentences and they will put the book down and never go back. There’re simply too many good books to be read in a single lifetime.

  • Share/Bookmark

Tags: , , , , , , , , , , , , , ,

LS-thefirstpage

The First Page is one of Literarily Speaking’s newest features. Here we get a glimpse into an author’s work and what better place to begin than the first page? Authors share their first pages and answer a few questions about why they started their books off the way they did. Today we welcome Jennie Helderman, author of the nonfiction narrative,  As the Sycamore Grows (Summers Bridgewater Press).

…………………………………………………….

As the Sycamore GrowsAs the Sycamore Grows
Jennie Helderman
The First Page

A noise. Ginger awoke, listened. The hum of a motor, the scrunch of tires creeping along the road outside the cabin. She reached over to her husband’s side of the bed. Empty. Where he was heading in the thin light of dawn, she didn’t know. Mike McNeil didn’t offer explanations for his comings and goings. She knew better than to ask.

She rolled back onto her pillow, wide awake now. She could see the black handle of Mike’s .38 at the edge of the closet shelf. Mike seldom strapped the gun to his belt anymore. He had made his point. She wouldn’t take it again and he knew it.

The light was still too dim to see the photos fastened with thumb tacks to the rough-sawn boards next to the closet. It didn’t matter. She pictured them in her mind. She and Mike had squeezed into the metal kiosk at a truck stop that day and posed fast, before their quarter ran out. Mike had just trimmed his beard. A good memory.

Birds chirped outside.

Time to rise. She rolled out of bed.

Jennie HeldermanWelcome to Literarily Speaking, Jennie.  Can you tell us what your book is about?

Imagine Foxfire living while Sleeping with the Enemy in the hills of Tennessee when the enemy totes a Bible and packs a .38.  Mike shoved and slapped but isolation and economic abuse were his primary tools. Until he discovered the power of the Lord as another way to control Ginger.

As the Sycamore Grows is a nonfiction narrative about ending the legacy of abuse.  Ginger McNeil was brought up to pray and obey, but she escaped the padlocked cabin in the woods where she lived off the land with no electricity or telephone. Today she’s a court advocate in the domestic court system.

Her husband Mike admits the abuse, holds no remorse and would do it all again. God made women to serve, he says. It’s their job.

Both Ginger and Mike speak, as do family, friends, ex-spouses and others. Thus Ginger is revealed as a flawed heroine who in teenage rebellion abandoned her baby. Mike ran away from his father’s fists but years later glimpsed himself in his father’s casket.

From south Texas to Tennessee the couple spiral down into poverty—by Mike’s choice—and abuse enforced by religion and a pistol.

Threading through the story is loss: the alienation of families, a spiritual void from betrayal by their church, and the death of the son Ginger had abandoned. It’s this teenage boy’s suicide, symbolized by a sycamore tree, which becomes the wedge that allows Ginger to break free and ultimately work to bring an end to abuse.

The first page is perhaps one of the most important pages in the whole book.  It’s what draws the reader into the story.  Why did you choose to begin your book this way?

The reader plunges into the heart of the story at its most critical, pivotal point. I want him to be caught in its tension so that he races away with Ginger later in the chapter.

I wanted the reader to have this information and emotional investment as he learns what leads up to this point and how it is resolved.

In the course of writing your book, how many times would you say that first page changed and for what reasons?

I didn’t count. The page changed several times but only in minor ways of coming to the same place. Each change, though, focused more tightly, going from the sun rising to a noise that awakened Ginger before daylight.

Was there ever a time after the book went to print you wished you had changed something on the first page?

Not something on the front page but the paper itself. I had specified a natural color in paper and somehow it came out stark white.

What advice can you give to aspiring authors to stress how important the first page is?

If the first page doesn’t grab hold of the reader, wave goodbye. He won’t get to page two.

Visit Jennie online at www.jenniehelderman.com.

  • Share/Bookmark

Tags: , , , , , , , ,

LS-thefirstpage

The First Page is one of Literarily Speaking’s newest features. Here we get a glimpse into an author’s work and what better place to begin than the first page? Authors share their first pages and answer a few questions about why they started their books off the way they did. Today we welcome Robert Seymour, author of the humorous fiction novel, Wig Begone (Matador/Troubadour).

…………………………………………………….

Wib BegoneWig Begone
The First Page

The Lord Chief Justice’s good eye gave me a stony stare through the one clear lens of his spectacles as I re-entered the room. I searched desperately round for a sympathetic face – surely, there must be one? Not the other judges, who sat by his side, that was for sure.

I felt myself breaking into a cold sweat.

Only an hour beforehand, the disciplinary hearing at Galahad’s Inn having at long last finished, I’d slunk into the anteroom; such a friendless place, adorned with paintings of long dead judges. A marble bust of yet another ancient judicial luminary from the distant past wearing a full-bottomed wig was my only companion.

Outside, a gentle rain fell on the Inn’s venerable buildings which surrounded its fine square with an elegant fountain spouting in the middle. Soon the environs of the Inns of Court with their air of calm authority would be lost to me forever. Charles Courtley, the poor boy from the sticks, who had no previous connections with the law and was so determined to succeed in the competitive world of the Bar, was about to receive his comeuppance.

Of course, there were always other jobs I could do, I reflected gloomily; working in an office as a law clerk (a fate worse than death) was one unappealing option – or becoming a mini-cab driver which, at least, would mean that I remained self-employed.

Robert Seymour Welcome to Literarily Speaking, Robert.  Can you tell us what your book is about?

It’s a humorous tale of the triumphs and tragedies of the start of a young lawyer’s career at the English Bar – fraught with pitfalls and problems.

The first page is perhaps one of the most important pages in the whole book.  It’s what draws the reader into the story.  Why did you choose to begin your book this way?

I wanted the reader to feel empathy for the main character, Charles Courtley, by painting him as a rather vulnerable person facing defeat by the system. In that way, I hoped that the reader’s curiosity would be engaged immediately.

In the course of writing your book, how many times would you say that first page changed and for what reasons?

Essentially that not much, as I had already planned the climax of the story before I drafted the first page. However, I did expand the content of the first few pages at a later stage.

Was there ever a time after the book went to print you wished you had changed something on the first page?

Not really – I was happy enough to leave it much as it was.

What advice can you give to aspiring authors to stress how important the first page is?

Very important. After all ,obviously it’s the first one the reader is going to see, but also it should help to keep the writer’s eye on the ball too. My feeling is that the first page should act as a reminder to the writer of how the story should develop and reach a conclusion.

Visit Robert  online at http://courtleyprocedures.wordpress.com.

  • Share/Bookmark

Tags: , , , , , , , , , , , , , , , , , , ,

LS-thefirstpage

The First Page is one of Literarily Speaking’s newest features. Here we get a glimpse into an author’s work and what better place to begin than the first page? Authors share their first pages and answer a few questions about why they started their books off the way they did. Today we welcome Laura Vosika, author of the historical fiction novel, Blue Bells of Scotland (Gabriel’s Horn Publishing).

…………………………………………………….

Bue Bells of ScotlandBlue Bells of Scotland
by Laura Vosika
The First Page

“Shawn means self and Kleiner means centered!” His girlfriend, an English major, flung it at him as an insult. Shawn plucked it from midair, polished it off, and, grinning, wore it as a badge of honor.

But Shawn surpassed mere self-centeredness. He strove also for selfishness, self-importance, and self-satisfaction. He was the center of his own existence and, the problem was, of many others’, too.

His audition for second trombone, a month before completing his music degree, was legend.

He swaggered into the reception room and leaned over the secretary’s desk, smiling his infectious smile and complimenting her eyes. In minutes, he had a date with her. She called her fiance to cancel dinner with his parents. Postponed it indefinitely. He drew a rose from the vase on her desk, brushed it across her lips, and took it, and her longing gaze, with him.

Strutting into the warm-up area, he sized up forty-five world-class trombonists. His eyes fell on the lone woman. He trailed the rose along her cheek and flipped his card up between two fingers. “Call me,” he mouthed. Her eyes melted.

When he pulled out his trombone, seventeen musicians stopped playing to stare. Shawn had that affect. He stood six feet, strongly built. Dark chestnut hair brushed his shoulders. Deep amber eyes sparkled with confidence as he leisurely scanned his competition.

Satisfied, he drew in a deep breath. Thirteen more stopped playing. He blew one long, golden note, and fourteen more lowered their instruments. He dipped warning eyebrows at the lone holdout still prattling off scales. The man dropped his instrument and looked away.

Now it was only Shawn.

He warmed up with the triplet section of Blue Bells of Scotland. He played it twice as fast as anyone ever had, skipping over the hardest parts like a mountain stream bubbling downhill. His Russian Easter thundered out every gravitas Rimsky-Korsakov had intended. A little bluesy Body and Soul just for fun, at which an older gentlemen in the back of the room wiped the corner of his eye.

Laura VosikaWelcome to The First Page feature of Literarily Speaking, Laura. Can you tell us what your book is about?

Blue Bells of Scotland is a time travel and historic adventure, about two men, polar opposites but for their looks and love of music, who are mistaken for one another. Shawn is a modern musical phenomenon, who wears accusations of self-centeredness like a badge of honor. Niall is a devout medieval Highland warrior, the epitome of responsibility. The fate of Scotland rests on his shoulders. When they both spend the night at the top of the same castle tower, they wake up in the wrong centuries, caught in one another’s lives.

The first page is perhaps one of the most important pages in the whole book. It’s what draws the reader into the story. Why did you choose to begin your book this way?

Blue Bells of Scotland can be enjoyed on several levels: historical fiction, adventure, time travel, a little bit of romance, a story of switching places, fish out of water, or mistaken identity. At its deepest level, it is the story of character, metamorphosis, and redemption. Read on this level, the first page not only explains how Shawn, the modern-day musician, is able to get away with the things he does, but ties directly to the very last sentence in the book. The book starts and ends with the issue of Shawn’s character.

In the course of writing your book, how many times would you say that first page changed and for what reasons?

Surprisingly little. Several times, I tried the current advice of jumping into the story at the moment of crisis. That would be when Shawn and Niall make the switch in the castle. However, something kept drawing me back to starting with Shawn’s defining characteristics: arrogance and selfishness. I felt Shawn and Niall needed to be better established as individuals before the switch happened: who they are, and how they differ, how they impacted the lives of those around them. Ultimately, I think I kept coming back to this opening, defining Shawn, because it really is the crux of the story on the emotional level: metamorphosis and redemption.

What advice can you give to aspiring authors to stress how important the first page is?

The importance of the first page cannot be overemphasized. When a reader walks into a bookstore, they typically look for a cover that catches their eye, read the blurb, and turn to the first page. If it doesn’t interest them, they’ll put it back on the shelf. The first page(s) are so important that there is an entire book written called The First Five Pages, by Noah Lukeman.

  • Share/Bookmark

Tags: , , ,

LS-thefirstpage

The First Page is one of Literarily Speaking’s newest features. Here we get a glimpse into an author’s work and what better place to begin than the first page? Authors share their first pages and answer a few questions about why they started their books off the way they did. Today we welcome Joshua Graham, author of the suspense thriller novel, Beyond Justice (Dawn Treader Press).

…………………………………………………….

Beyond JusticeBeyond Justice
by Joshua Graham
The First Page

The question most people ask when they first meet me is: How does an attorney from a reputable law firm in La Jolla end up on death row?  When they hear my story, it becomes clear that the greater question is not how, but why.

I have found it difficult at times to forgive myself for what happened.  But a significant part of the answer involves forgiveness, something I never truly understood until I could see in hindsight.

Orpheus went through hell and back to rescue his wife Euridice from death in the underworld.  Through his music, he moved the hearts of Hades and Persephone and they agreed to allow Euridice to return with him to Earth on one condition:  He must walk before her and not look back until they reached the upper world.  On seeing the Sun, Orpheus turned to share his delight with Euridice, and she disappeared. He had broken his promise and she was gone forever.  This failure and guilt was a hell far worse than the original.

My own personal hell began one night almost four years ago.  Like images carved into flesh, the memories of that night would forever be etched into my mind.  The work day had been tense enough—my position at the firm was in jeopardy because of the inexplicable appearance of lewd internet images in my folder on the main file server.

Later that night, as I scrambled to get out the door on time for a critical meeting with a high profile client, my son Aaron began throwing a screaming fit.  Hell hath no fury like a boy who has lost his Thomas Train toy.  In my own frenzied state, I lost my temper with him.  Amazing how much guilt a four-year-old can pile on you with puppy-dog eyes while clinging to his mother’s legs.  His sister Bethie, in all her seventh grade sagacity, proclaimed that I had issues…

Joshua GrahamWelcome to The First Page feature of Literarily Speaking, Joshua. Can you tell us what your book is about?

BEYOND JUSTICE is a book that explores the limits of human and divine forgiveness.  In it, attorney Sam Hudson is wrongfully convicted for the brutal rape and murder of his wife and daughter and sent to death row.

The first page is perhaps one of the most important pages in the whole book.  It’s what draws the reader into the story.  Why did you choose to begin your book this way?

I wanted to set the tone for the reader so that he/she would know from the first sentence what they were in for.

In the course of writing your book, how many times would you say that first page changed and for what reasons?

Once.  Because I cut the first eight chapters.

Was there ever a time after the book went to print you wished you had changed something on the first page?

No.  By the time my book goes to print, it’s already had all the editing it needs.  It’s a finished product.

What advice can you give to aspiring authors to stress how important the first page is?

Assuming a reader likes your cover, your back cover copy enough not to put your book back down on the bookstore shelf, they generally decide within the first page if they are going to buy the book or not.  I cannot stress how important it is to hook your reader from the very first sentence, and never let them go until the last word of the book.  If you are Stephen King, or John Grisham, you can afford to tarry as you describe anything you please.  Their fans would probably pay big bucks to read their shopping lists.  But for the rest of us writers who are not quite where Mr. King and Mr. Grisham are, we owe it to ourselves and our readers (most of which are looking at our work for the first time in their lives) to give them an unforgettable experience.  That comes with the promise you make in the first page of your book, and the fulfillment of that promise all the way through the last page.


  • Share/Bookmark

Tags: , , , , , , , , , , , , , , , , , , , , , , , ,

LS-thefirstpage

The First Page is one of Literarily Speaking’s newest features. Here we get a glimpse into an author’s work and what better place to begin than the first page? Authors share their first pages and answer a few questions about why they started their books off the way they did. Today we welcome Joel M. Andre, author of the horror novel, The Black Chronicles: Cry of the Fallen.

…………………………………………………….

The Black ChroniclesThe Black Chronicle: Cry of the Fallen
by Joel M. Andre
The First Page

Ashen smoke covered the, once radiant, blue skies of the Verde Valley. Controlled burns were in full swing as the summer season quickly approached. The heat of Arizona this time of year could prove to be deadly, especially in the thirsty desert foothills.

From her front porch, Lilia Sanders looked at the clouds of smoke that rose in the air. The purple mountains, covered with patches of green, always amazed her.

This was the whole point of her moving to Cottonwood, Arizona. The clean, dry air and amazing views were truly a Godsend. With her horrific allergies, the desert had proven to be the perfect place for her to seek refuge.

Closing her eyes, she inhaled deeply, as the smell of mesquite tickled her nose. In this area, there were so many different plants that she could enjoy. The Saguaro cacti were, in her mind, animated versions of Gumby she remembered as a child. At dusk, they would be there to guard her from the dangers that the night can bring. At their base, a number of prickly pear cacti, mesquite bushes, and native grasses littered the ground.
Certainly, there was no reason she couldn’t own a home with a yard, but one of the benefits of living in the desert was that gravel and a natural feeling were okay. Especially with the cost associated with keeping grass.

Standing up for a moment, she dusted off the back of her blue jeans. One downfall of the desert was the amount of dirt that seemed to get everywhere. As she passed the window, she took a look at herself. Her once raven black hair was now streaked with strands of gray and her emerald green eyes weren’t as bright as they had been when she first arrived in the Verde Valley.

Smiling a wrinkled grin, it was all okay with her. She was alive, and that was all that truly mattered. Getting older was a part of life. This is the part that most people forget to enjoy, but not Lilia. She relished being able to watch the beautiful sunsets and the mysteries of the desert that the monsoons created as the water surged across the land.

An old white mail truck slowly made its way down the street toward Lilia’s home. Taking a quick glance at it, she just shook her head. The old man waved his hand slightly at her. Smiling, she nodded her head warmly. At that moment, she didn’t have thirty minutes to talk foolishness with Carl the mailman. There was an appointment she must get to; however, her gentle nature prevented her from being rude.

Joel M. AndreWelcome to The First Page feature of Literarily Speaking, Joel.  Can we begin by having you tell us what your book, The Black Chronicles: Cry of the Fallen, is about?

On the surface, the book is a supernatural murder mystery. When you dig into the book, there are deeper themes that will allow the reader to get more from the tale.

It is a tale of self discovery, and redemption.

The first page is perhaps one of the most important pages in the whole book. It’s what draws the reader into the story. Why did you choose to begin your book this way?

Violence is cliché in Horror books. I wanted to bring to life a real character people could love. You enter the book getting to know someone, and caring about them right from the start.

In the course of writing your book, how many times would you say that first page changed and for what reasons?

About 10 times. It needed to be perfect! I spent days going over it, and finally got it where I needed it to be.

The final version looks nothing like the original did. But I am proud of it.

Was there ever a time after the book went to print you wished you had changed something on the first page?

In my previous books, I have felt that way. I am proud of this tale, and stand behind it 100%.

Most of my books are being rereleased over the next year, and the first page is changing in some.

What advice can you give to aspiring authors to stress how important the first page is?

Always capture emotion on the first page. Make it something people can relate to, and have it be something that drags in your reader.

If you are bored with your first page, your book can be brilliant, but it can become a roadblock.

You can visit Joel on the web at www.joelmandre.com.

  • Share/Bookmark

Tags: , , , , , , , , , , , , , , ,

LS-thefirstpage

Terminal CareTerminal Care
by Christopher Stookey

Page One

The death wasn’t the unusual thing.  The unusual thing was we tried to stop it.  That first dying heart came on a Thursday night, a little after midnight on May 5th.  I remember the date because it was Cinco de Mayo, Mexican Independence Day.  There’d been celebrations all day long in San Francisco, including in The Presidio where I was working that night.

I was one of two physicians on duty in the ER at Deaconess Hospital, doing the overnight, the 6P to 6A shift.  The early part of the shift had been very busy.  When I arrived at six o’clock, the waiting room was bursting with patients: drunken revelers with lacerations and sprained ankles, tourists with sunburns, picnickers vomiting from food poisoning, ten members of a mariachi band with heat stroke and dehydration.  We worked furiously, moving from one stretcher to the next, seeing the most critical patients first and moving on.

Then, around ten o’clock, the flow of new patients stopped—abruptly, like water from a faucet turned from on to off.  That’s the way things are in my business, feast or famine.  By 11:00 PM, there were only four patients in the waiting room.  By 11:45, I finished sewing up my last laceration: a three-inch gash on the forehead of an intoxicated coed from San Francisco State.

And, then, there was no one.  The emergency department had gone from chaos to serenity.

With nothing to do, Hansen, the other physician on duty, went to catch a nap in the staff lounge.  I washed up and went over to join Bill (the night nurse) at the nursing station.  We sat with our feet up, drinking black coffee from Styrofoam cups, looking across the empty row of stretcher beds.  Bill launched nostalgically into a pornographic tale about a buxom nurse he’d known while serving as a medic during the Gulf War.  He’d just reached the climax (so to speak) of his story when, suddenly, the calm of the night was interrupted by an announcement over the intercom:

“Code Blue, East Annex, back station!  Code Blue, East Annex, back station! ”

Christopher StookeyThank you for visiting us today, Christopher. Can you tell us what your book is about?

Terminal Care is a medical mystery thriller.  It’s about a thirty-seven-year-old emergency physician, Phil Pescoe, who notices an unexpectedly large number of patients are dying on the Alzheimer’s ward at the hospital where he works.  As it happens, a team of neurologists have just started a drug trial on the ward.  Half the patients there are getting an experimental drug called “NAF.”  NAF is a highly promising, new treatment for Alzheimer’s disease made by Swan Pharmaceuticals, a large drug company based in Switzerland.

Pescoe is worried the deaths on the ward might be related to the new drug study.  However, authorities and representatives from Swan assure him the deaths have nothing to do with the trial.  The deaths are simply the usual, random deaths you would expect on a ward populated by elderly patients with dementia.

One other person at the hospital, however, shares Pescoe’s concerns about NAF.  Her name is Clara Wong, a brilliant—and stunningly beautiful—internist.

Pescoe and Wong team up to investigate the deaths on the Alzheimer’s ward.  Their inquiries lead them unwittingly into the cutthroat world of big-business pharmaceuticals.  They discover the deaths on the ward are, indeed, related to the drug trial, and an elaborate scheme is underway to cover this up.  With the death count mounting, Pescoe and Wong race against time to save the patients on the ward and to stop the drug manufacturer from unleashing a dangerous new drug on the general populace.

The first page is perhaps one of the most important pages in the whole book.  It’s what draws the reader into the story.  Why did you choose to begin your book this way?

Really, I try to grab the reader’s attention, not just in the first page, but in the first two sentences of the book.

“The death wasn’t the unusual thing.  The unusual thing was we tried to stop it.”

It’s my hope the reader’s curiosity will immediately be peaked by this opening.  What do these first two sentences mean?  Why would it be “unusual” for anyone to try to stop death?  Who is dying?  Under what circumstances would death be “the usual thing?”  The answer to all these questions will come later in the book.  The opening intends, simply, to start the reader wondering.

These first two sentences hint, strongly, at what’s to come.  The book is very much about death, death that is occurring on the Alzheimer’s ward.  The third sentence of the book also hints at things to come.  “That first dying heart …” alludes to the fact that patients on the ward are dying of heart attacks.  As will be revealed later, patients with Alzheimer’s disease do not commonly die of heart attacks.  For now, however, all I wanted to do was plant the seeds of curiosity: deaths, unusual circumstances, heart attacks.  What’s going on here?

The first paragraph also takes care of one bit of practical business.  It establishes the date of the opening of action as May 5th (Cinco de Mayo).  It will turn out that dates are very important in this book.  The dates when various patients die will, ultimately, give Pescoe and Wong strong clues as to what’s really happening on the Alzheimer’s ward.  I chose to use Cinco de Mayo, an easily remembered date, as a way to anchor the time frame for the rest of the book.

The rest of the page backs away from the what’s-to-come feature of the first paragraph.  The bulk of the page simply describes a typical work shift for Pescoe in the ER.  This material is meant to introduce Pescoe and his world to the reader.  Pescoe is the narrator of the book and one of the book’s two main characters.  Character is an important feature of the novel, and I felt the sooner the reader got to know Pescoe the better.

Finally, the last two sentences of the page put the reader back into the main action of the book.  “Code Blue, East Annex, back station!” Someone is “coding”—hospital language for “dying”—at a place called the East Annex.  Once again, the reader is faced with questions which, I hope, will spur him or her to read on: Where is the East Annex, and why is someone dying there?

In the course of writing your book, how many times would you say that first page changed and for what reasons?

Honestly, I lost track of how many times I changed the first page—or the first paragraph, anyway.  At least ten times, for sure.  I once read some good advice about starting a book or a short story. The advice was this: once you’ve finished writing, immediately throw away the first page and start with what’s left over.  At first, this seems like radical advice.  All that hard work on the first page, then you just throw it away.  But, I’ve tried this several times, and, as painful as it is, I find I almost always have a better beginning when I do this.  It’s almost like magic.  I did this with the opening of Terminal Care.  I blindly deleted the first one hundred words, throwing out material that seemed important and essential.  Yet, suddenly, the opening was, magically, more immediate and compelling.

Try it.  You’ll like it.

Was there ever a time after the book went to print you wished you had changed something on the first page?

Sometimes I wonder if I should have done a second round of throw-out-the-first-page, as described just above.  As it stands, the first page ends with the following:

“[T]he calm of the night was interrupted by an announcement over the intercom: ‘Code Blue, East Annex, back station!  Code Blue, East Annex, back station!’”

I wonder if it might have been better to just have started right there (“[T]he calm of the night…”).  This is where the action really starts.  What comes before is mainly background information that could be supplied just as well later.  Why not start the book right at the moment the action starts?  This way the reader jumps right into the action at the very first sentence of the book.  This might have been a better way to go.

What advice can you give to aspiring authors to stress how important the first page is?

First pages are particularly important for new authors.  Stephan King and John Grisham don’t have to worry so much about a captivating, scintillating first page.  Their large, loyal readership will press on through the book no matter how good or bad the opening page might be.

However, it’s different for the unknown author.  That first page may well determine whether or not a casual reader—or a book publisher—will want to put the book (or manuscript) down or keep going.  It’s a matter of first impressions, like the first impressions we make at an interview or at a party.  Judgments made upon first impressions are sometimes neither fair nor accurate, but they are nonetheless important, especially for an unknown author trying to break into the business.

Put your very best face forward on the first page.  Do your very best writing (but don’t overwrite), and try to include something in those first few paragraphs that will hook the reader and make the reader say: “Wow, I want to keep going with this.”

You can visit his website at www.silverleafbooks.com.

  • Share/Bookmark

Tags: , , , , , , , , , , , , , , , , , , , ,

LS-thefirstpage

The First Page is one of Literarily Speaking’s newest features. Here we get a glimpse into an author’s work and what better place to begin than the first page? Authors share their first pages and answer a few questions about why they started their books off the way they did. Today we welcome John Knoerle, author of the spy thriller, A Despicable Profession: Book Two of the American Spy Trilogy.

…………………………………………………….

A Despicable ProfessionA Despicable Profession: Book Two of the American Spy Trilogy
by John Knoerle
The First Page

I’m back on my well-polished barstool at The Harbor Inn. It’s July, 1946.

I’ve been dubbed the ‘Little Deutsch Boy’ by the Cleveland Press. Is that dumb or what? So called because I kept my finger in the dike against the rising tide of Soviet Communism. The rising tide hasn’t receded. The Russians control everything east of “Stettin in the Baltic to Trieste in the Adriatic” as Churchill said earlier this year.

But they haven’t crossed the Elbe.

The local newshounds say I deserve much of the credit for that but I know different. I never met the man who was primarily responsible for stemming the tide and keeping Western Europe safe for democracy. I couldn’t tell you his name to this day.

They say that history is written by great men but that’s not strictly true in my opinion. Sometimes a little man, in the wrong place at the right time, can make all the difference.

John KnoerleThank you for stopping by Literarily Speaking, John.  Can you tell us what your book is about?

Happy to. Here is a brief synopsis:

May, 1946. America is basking in hard-won peace and prosperity. The OSS has been disbanded, CIA does not yet exist. Rumors swirl about the Red Army massing tanks along the Elbe in East Germany.

Former OSS agent Hal Schroeder gets an offer from Global Commerce LTD to be a trade rep in Berlin. He flies to New York to meet his new boss. Hal’s jaw drops when former OSS Chief Wild Bill Donovan strides in. Schroeder, who survived perilous duty behind German lines, says he is no longer interested in being a spy. General Donovan assures him that’s not part of his job description.

Hal comes to doubt that when he meets his immediate superior in Berlin. It’s Victor Jacobson, the case officer who sent him on repeated suicide missions in WWII.

The first page is perhaps one of the most important pages in the whole book.  It’s what draws the reader into the story.  Why did you choose to begin your book this way?

I have chosen in my spy trilogy to use the old film noir technique of revealing the ending before the novel begins. Remember “Sunset Boulevard”? The film opens on a dead body floating face down in a swimming pool. Bill Holden, via voiceover, tells us how he came to be there.

Nothing so drastic in my novel. I can’t very well kill of my first-person narrator in Book Two! But the first page tells us that important events have taken place. It’s not a whodunit so much as a how-dun-it.

In the course of writing your book, how many times would you say that first page changed and for what reasons?

Not much at all. Except for one crucial line. Sometimes a little man, in the wrong place at the right time, can make all the difference.

That was the key point of the story. And it didn’t occur to me until the book was almost done!

What advice can you give to aspiring authors to stress how important the first page is?

It’s always important but there are no hard and fast rules. My trilogy has an over-arching theme, but many novels don’t. A straightforward murder mystery would probably be best served by presenting the quotidian details of the lead character’s daily life.

There is nothing worse, in my opinion, than the introduction of gruesome violence on page one before the reader knows, or cares, about the victim!

You can visit John’s website at www.bluesteelpress.com.

  • Share/Bookmark

Tags: , , , , , , , , , , , , , , , , , , , , , , ,

LS-thefirstpage

The First Page is one of Literarily Speaking’s newest features. Here we get a glimpse into an author’s work and what better place to begin than the first page? Authors share their first pages and answer a few questions about why they started their books off the way they did. Today we welcome Steff Deschenes, author of the self-help book, The Ice Cream Theory.

…………………………………………………….

The Ice Cream TheoryThe Ice Cream Theory
by Steff Deschenes
The First Page

I like ice cream.

That actually might be the biggest understatement in the his­tory of the world.

I’m infatuated with ice cream.

But for purposes of keeping friends, I never reveal my true ob­session with it until they get to know me and I can’t quite scare them off anymore. It’s one of those things they learn to accept, however frightening it may be.

Sometimes my love for ice cream even scares me.

When people think of me, I’d like to believe three things pop into their heads: one, she never wears anything but flip-flops, even in the snow!; two, her hair is perpetually messy; and, three, she really, really loves ice cream.”

Steff DeschenesThanks for stopping by Steff! Can you tell us what your book is about?

The Ice Cream Theory is a charming, tongue-in-cheek exploration of the parallels between human personalities and ice cream flavors.  Utilizing humor and satire, it brings together anecdotes from my own adventures with broader-reaching social commentary to help others recognize the wisdom and joy inherent in a beloved dessert.   In the same way people have ice-cream preferences, people also have people preferences.  Like ice cream flavors, social preferences shift based on age, experience, even mood. There are exotic flavors that one craves when feeling daring, comforting flavors to fall back on, flavors long-enjoyed that eventually wear out their welcome, and those unique flavors that require an acquired taste. Like people, no ice cream flavor is perfect every single time, and it’s in this realization that the crux of the theory lies.

The first page is perhaps one of the most important pages in the whole book.  It’s what draws the reader into the story.  Why did you choose to begin your book this way?

I wanted to immediately establish a conversation with the reader – I wanted their experience reading the book to feel like we were having an open dialogue; a late night chat between two friends, if you will, and not at any point like I was writing or talking at them.  I talk like I write – fragmented and animated.  It was important to me that these qualities shined through within the very first few sentences.

In the course of writing your book, how many times would you say that first page changed and for what reasons?

It never changed.  This page was written in 2002, and not a single revision was ever made to it.  It’s short, sweet, and to the point: this is who I am and this is what both I and the book are about.  Why mess with something as concise as that?

Was there ever a time after the book went to print you wished you had changed something on the first page?

No – it (and the entire first chapter it precedes) always felt just right to me – like a favorite, broken-in sweatshirt!

What advice can you give to aspiring authors to stress how important the first page is?

The best advice I ever learned as writer was that the very first sentence on the very first page had to hook the reader into wanting to read the next sentence.  If you can get them to read that next sentence, you can most likely get them to read the next one after that.  It really is all about the very first sentence.

You can visit Steff Deschenes on the web at www.steffdeschenes.com.

  • Share/Bookmark

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

LS-thefirstpage

The First Page is one of Literarily Speaking’s newest features. Here we get a glimpse into an author’s work and what better place to begin than the first page? Authors share their first pages and answer a few questions about why they started their books off the way they did. Today we welcome Kerri Nelson, author of the romantic suspense novel, Cross Check My Heart.

…………………………………………………….

Cross Check My HeartCross Check My Heart
by Kerri Nelson
The First Page

London, Kentucky

As head-on collisions go, this one had been minor. The car had come to rest against the base of a large tree, but the rain-soaked floor of the forest had slowed the impact.

The tires spun deeper in the mud as Jana punched her foot down on the gas pedal. Try as she might, the car was not budging an inch. She tried turning the wheel sharply and then applied the gas again.

She could hear the whirring of the engine as it strained to comply with her demands, but it seemed a useless effort.

She knew that she had to hurry. The van that had forced her off the road would be back. As soon as they determined that she’d survived the accident, she’d be on the run once again.

She squinted at the dark forest that surrounded her here, in the woods of rural Kentucky. She’d never escape on foot. Her only hope was to get this car unstuck and back on the road before they found her.

Jana took a deep breath and then put the car in drive, inching it forward as far as she could go without hitting the tree. Then she put it in reverse, cut the wheel to the left and gently pressed down on the accelerator. The car lurched backwards.

She felt tears of relief spring to her eyes but she shook them away. It wasn’t time to celebrate just yet.

She slipped the gear back into drive and rotated the wheel in the opposite direction, easing the car forward and then back towards the highway.

As she reached the edge of the clearing, she stopped to look up and down the dark, silent highway, in search of any tell-tale vehicle lights.

Kerri NelsonThank you for visiting us today, Kerri.  Can you tell us what your book is about?

Jana is on the run from something ominous in her past.  She escapes to Illinois and job with the US Olympic hockey team where she meets veteran hockey player Danny Cipriani.  But Danny has secrets of his own.

The first page is perhaps one of the most important pages in the whole book.  It’s what draws the reader into the story.  Why did you choose to begin your book this way?

My book is a romantic suspense and I began my book with a thriller type scene that will hopefully hook the reader into turning the page!

In the course of writing your book, how many times would you say that first page changed and for what reasons?

My first page never changed in this particular book.  I had a clear vision of how I wanted to start the book and that remained true throughout the editing process.  However, there have been books that I’ve gone back and revised the opening on.  It is crucial to have an opening that entices the reader.  You certainly don’t want to lose them early on.

Was there ever a time after the book went to print you wished you had changed something on the first page?

Yes.  I write Young Adult romance under a different pen name (K.G. Summers) and I started one of my books book out with dialogue.  It is something that I never recommend doing and I’d go back and change it now if I could.

What advice can you give to aspiring authors to stress how important the first page is?

The first page is very important when you are trying to hook the reader into delving further into your book.  I’ve picked up a lot of books where the first page bored me to tears.  I don’t continue reading.  Life is just too short.

Even more important, in my opinion, is the first line.  I recently won 2 first line contests for other books.  That first line hook has to be spot on!

You can visit Kerri’s home on the web at www.kerrinelson.com.

  • Share/Bookmark

LS-thefirstpage

The First Page is one of Literarily Speaking’s newest features. Here we get a glimpse into an author’s work and what better place to begin than the first page?  Authors share their first pages and answer a few questions about why they started their books off the way they did. Today we welcome Sharon Ann Donovan, author of the suspense thriller, Mask of the Betrayer.

…………………………………………………….

Mask of the BetrayerMask of the Betrayer
by Sharon Donovan
Page One

Deep in the underbrush of the Red Rock Mountains, the hunter crept through the rugged terrain, a landscape of sharp twists and turns, toward the mansion nestled in the foothills. A moon hung low in the dark, desert sky. His eyesight as keen as the night predators, he slipped through the thicket, focused on his mission. The fragrant yellow flowers of the creosote bushes filled his senses. Power surged through him as he stalked through the dry carpet of the forest, pinecones snapping in his wake. A slight breeze stirred through the ponderosa pines, sounding like the wise old whispers of the Paiute Indians buried thousands of feet below in the windblown sand.

He fingered the weapon in his hooded dark jacket, a shuriken, a Ninja star, a throwing death star laced with poison. His heart jackhammered in his chest, adrenaline pumping at a wild rhythm. He licked his lips in eager anticipation. From deep in the woods, a coyote howled, barely discernible over the wild beat of his heart.

He spotted the mansion in the distance, torch-lit lanterns casting willowy shadows on stained-glass windows. A bell tower loomed in eerie silence. Smooth marble lions with their mouths open in silent roars guarded the entrance gate. He scoffed to himself. As if they could keep him out. It would be poetic justice to wield the death sword into the old man’s throat, watch his face twist into an ugly grimace when the poison seeped into his jugular vein and into his system, just the way he’d taught him to do when he’d trained him to be his number one assassin.

Adrenaline surged through him, filling him with a sense of power as potent as a deadly panther. How his fingers itched to hurl the death star into the betrayer’s throat. Easy now, he warned himself as he emerged from the thicket and into the sagebrush-lined trail, crouching low in the shadows of the undulating pine branches. Don’t blow it, keep your cool.

Despite the cold night air of the desert, sweat trickled down his spine. But his insides remained cool. Blending into the shadows of the mansion, he shimmied along the red bricks of the estate, camouflaging himself in the swaying branches of the towering pines. From deep in the thicket, the throaty call of a raven screeched, foreboding an eerie warning. How befitting, the hunter thought. And just like the poem, soon I’ll be rapping at your chamber door—and you will be nevermore, just like Lenore.

Keeping low to the ground, the sounds of the night predators at his back, he crept up the stone steps leading to the mansion, sheathed his hands in latex gloves, and inserted a key in the heavy mahogany door.

Sharon DonovanThank you for visiting us today, Sharon.  Can you tell us what your book, Mask of the Betrayer, is about?

MASK OF THE BETRAYER opens with MICHAEL DEVECCIO (The Hunter) killing his uncle when he learns the man who has trained him to kill the betrayer is guilty of committing the ultimate crime. As sole beneficiary to the entire DeVeccio Empire, Michael fancies himself king of the world. Determined the DeVeccio kingdom will thrive for generations, he sets out to find the perfect woman to propagate his domain and will demolish anyone who gets in the way, beginning with his fiance, his uncle’s former mistress who knows where family skeletons are buried. And when Michael meets art curator MARGOT MONTGOMERY, he decides she is the woman who will produce his heir.

The first page is perhaps one of the most important pages in the whole book.  It’s what draws the reader into the story.  Why did you choose to begin your book this way?

The reader knows from the first page who the killer is. The suspense lies in not knowing why he is killing off the members of his family one by one. The first page sets the pace for the manner in which Michael DeVeccio was trained to kill by his domineering uncle. Programmed to kill the betrayer at midnight, this sets the scene and pace of the entire book. In Mask of the Betrayer, I want to demonstrate the complexity of the mind. It can bend. It can break. It can snap. The reasons always trace back to an earlier incident, usually in the killer’s childhood.

In the course of writing your book, how many times would you say that first page changed and for what reasons?

I lost count. After rejections, I would make a point of reading it again and improving it with a new measure of attack. While it always dealt with the mind, Michael’s character went from being schizophrenic to having several alter egos, to finally, being a clone of the uncle that trained him to kill from the age of twelve.

Was there ever a time after the book went to print you wished you had changed something on the first page?

No. There comes a time when an author has to send it off and not look back. If I spent time fretting over things I should have done, I would never move forward to the next project.

What advice can you give to aspiring authors to stress how important the first page is?

Set the mood. If it’s suspense, make certain you can carry the voice of the first page throughout the book or you will disappoint and lose your audience. If the first page is a page turner and then the book drags until the middle or end, you risk the chance that a reader will never know the climatic finish to your masterpiece. Keep the plot moving with twists and turns to shock and thrill your readers. They love to be surprised and outwitted. Above all else, never be predictable. Do the unexpected or the unexplored, and you just might wind up with a bestseller!

You can visit her website at www.sharonadonovan.com.

Related Posts with Thumbnails
  • Share/Bookmark

Tags: , , , , , , , , , , , , , , , , , , , , ,